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Review: I Am

The "new" Shadyac is still a Hollywood hack
By GERALD PEARY  |  March 31, 2011
1.5 1.5 Stars

Tom Shadyac found a perfect nest for his low-watt-lightbulb sensibility in today's Hollywood, where he helmed a series of blockbuster comedies that ranged in quality from the passably silly (Ace Ventura: Pet Detective) to the unforgivably execrable (Patch Adams). Then came a fall from a bicycle, a deep depression from "post-concussion syndrome," and, finally, a seemingly remolded Shadyac who rejected his studio sinecure, his private jet, and his 17,000-square-foot estate. Unfortunately, the "new" Shadyac is just as goofy and featherweight as the old Hollywood hack. He's self-funded this vanity documentary in which he interviews poets, politicians, and scientists, all of whom somehow hold the same rosy view that humanity should be a sharing, feeling, communal-minded bunch led by the heart instead of the mind. Spoiler: Shadyac eventually discovers that the secret of life is Love.

Related: Review: Tibet in Song, Lee Chang-dong's oblique, affecting film, Review: Phil Ochs: There But For Fortune, More more >
  Topics: Reviews , review, Patch Adams, movie,  More more >
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ARTICLES BY GERALD PEARY
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  •   REVIEW: BILL CUNNINGHAM NEW YORK  |  April 07, 2011
    Richard Press's sweet, heartfelt celebration of the New York Times ' fashion photographer, Bill Cunningham, is already a sensation in the Big Apple, where it has smashed box-office records at the Film Forum.
  •   REVIEW: I AM  |  March 31, 2011
    Tom Shadyac found a perfect nest for his low-watt-lightbulb sensibility in today's Hollywood, where he helmed a series of blockbuster comedies that ranged in quality from the passably silly ( Ace Ventura: Pet Detective ) to the unforgivably execrable ( Patch Adams ).
  •   REVIEW: ORGASM INC.: THE STRANGE SCIENCE OF FEMALE PLEASURE  |  March 25, 2011
    For nine years, Vermont-based filmmaker Liz Canner raced around the country with her camera doing research and interviews for this exemplary, absorbing, muckraking documentary.
  •   REVIEW: PHIL OCHS: THERE BUT FOR FORTUNE  |  March 10, 2011
    Ken Bowser's film biography of a seminal American protest singer of the '60s and '70s is conventionally told but also informative and moving.
  •   REVIEW: EVEN THE RAIN  |  March 02, 2011
    The first hour of Icíar Bollaín's film, which was written by Ken Loach's perennial screenwriter, Paul Laverty, is a first-rate political drama.

 See all articles by: GERALD PEARY

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