Belle and Sebastian | The BBC Sessions

Matador (2008)
By ZETH LUNDY  |  November 18, 2008
3.0 3.0 Stars

belleandsebastianinside.jpg

Call 'em twee or call 'em bookish (after all, they did take their name from a French children's book), but don't call Belle & Sebastian anemic.

Before the Glaswegians toned their rock muscles with latter-period albums like The Life Pursuit, they would often lead their pedantic indie-pop out of the bedroom and, like any good UK band, into the BBC studios. They sound looser on these sessions, which were recorded between 1996 and 2001 and are collected here for the first time. Songs like "Sleep the Clock Around" and "Seymour Stein" crackle with a jammy, warts-and-all aesthetic that plays against the band's fine-tailored type.

Songwriter Stuart Murdoch often makes good on Morrissey's promise to deliver songs that live up to their titles: "Like Dylan in the Movies," "The Stars of Track and Field," and "Shoot the Sexual Athlete" are all loaded with words and giddy with mixed emotions. That last track is one of the four songs on The BBC Sessions that the band concocted circa 2001 but never officially released. Other obscurities include "The Magic of a Kind Word," an early-aughts approximation of Buffalo Springfield, and "Nothing in the Silence," a piece thick with the atmosphere of vibes and harmonica.

OK, so maybe it's not exactly a riot of unfettered energy and sound, but it nonetheless takes guts to be this pretty.

Related: Belle and Sebastian | Write About Love, Codeine Velvet Club | Codeine Velvet Club, Andy Warhol: Denied, More more >
  Topics: CD Reviews , Media, Belle and Sebastian, Belle and Sebastian,  More more >
| More


Most Popular
ARTICLES BY ZETH LUNDY
Share this entry with Delicious
  •   R.E.M. | DOCUMENT [25TH ANNIVERSARY EDITION]  |  September 19, 2012
    Fans of R.E.M. enjoy arguing over which album was the band's true shark-jump, but 1987's Document was inarguably the end of a groundbreaking era.
  •   RICHARD HAWLEY | STANDING AT THE SKY'S EDGE  |  September 04, 2012
    Richard Hawley's seventh studio album opens with "She Brings the Sunlight," a clouds-parting, hippy-dippy drone explosion that plays like "Tomorrow Never Knows" caught in the echo of a football stadium.
  •   BOB MOULD | SILVER AGE  |  August 28, 2012
    Now that he's getting love as a godfather figure from both sides of the indie/mainstream divide (see No Age and Foo Fighters, for starters), Bob Mould is again playing like he has something to prove — or at least an iconography to maintain.
  •   RY COODER | ELECTION SPECIAL  |  August 14, 2012
    Ry Cooder's spur-of-the-moment (or is it heat-of-the-moment?) political album opens like any good political album should, with a rollicking blues song told from the point of view of Mitt Romney's dog.
  •   ANTIBALAS | ANTIBALAS  |  August 13, 2012
    As its simple title would suggest, the fifth album from the Brooklyn Afrobeat torchbearers gets back to basics.

 See all articles by: ZETH LUNDY