In concert, Wolf Parade operate in a mode that is or ought to be the Platonic ideal for a rock show: their live renditions of studio tracks are simultaneously faithful, timed to metronomic precision, and — when the occasion calls for it — beautifully unhinged. (I'll skip my rant about openers the Moools, from Japan, because it's not PC in the slightest.)

The headliners, led by Spencer Krug (keys) and Dan Boeckner (guitar), were on point from "Soldier's Grin," the first song from 2008's At Mount Zoomer, through the last, "Kissing the Beehive," that album's climax. The pair, alternating songs, are a brilliant yin and yang: Krug more mannered in appearance but more offbeat and dramatic in his delivery, seated at his jauntily menacing synth; Boeckner dressed in punk/heroin-chic tank top and bad haircut, equipped with anthem after concise anthem to counterweight Krug's fetish for sprawling song structures and mythological references.

The show redeemed, in part, the band's relatively lackluster new album, Expo 86, which is dragged down by uncharacteristically lukewarm lyrics and a bored rhythm section, stuck on rote disco beats. Krug's "What Did My Lover Say" and nearly every Boeckner song came off with some added violence, thanks to Boeckner's guitar, firing riffs like cluster bombs.

But it's still the songs from the band's 2005 debut, Apologies to the Queen Mary, that brim with rapture: the defeated/sarcastic "la la la"s punctuating "Dear Sons and Daughters of Hungry Ghosts," as generationally-appropriate a duel between apathy and desperate hunger as I can think of; or "I'll Believe in Anything," a song whose first 30 seconds always underwhelms on stage and then spends the next four minutes climaxing over and over again, its title and its qualification ("If I could take the fire out from the water") eerily resonant as ever. The yin and the yang ended fittingly with their lone duet, 10 blisteringly loud minutes of "Kissing the Beehive," managing to sound their best: raw, somehow coherent, unlike anyone but themselves.

Related: Review: Kino Proby's CD-release show the Big Easy, Two: An Original Music Series, By the Grace of Ralph, More more >
  Topics: New England Music News , Entertainment, Music, Wolf Parade,  More more >
| More


Most Popular
ARTICLES BY CHRISTOPHER GRAY
Share this entry with Delicious
  •   TEN YEARS, A WAVE  |  September 26, 2014
    As the festival has evolved, examples of Fowlie’s preferred breed of film—once a small niche of the documentary universe—have become a lot more common, a lot more variegated, and a lot more accomplished.
  •   GIRLS (AND BOYS) ON FILM  |  July 11, 2014
    The Maine International Film Festival, now in its 17th year in Waterville, remains one of the region’s more ambitious cultural institutions, less bound by a singular ambition than a desire to convey the breadth and depth of cinema’s past and present. (This, and a healthy dose of music and human-interest documentaries.) On that account, MIFF ’14 is an impressive achievement, offering area filmgoers its best program in years. With so much to survey, let’s make haste with the recommendations. (Particularly emphatic suggestions are marked in bold print.)  
  •   AMERICAN VALUES  |  June 11, 2014
    The Immigrant  seamlessly folds elements of New York history and the American promise into a story about the varieties of captivity and loyalty.
  •   CHARACTER IS POLITICAL  |  April 10, 2014
    Kelly Reichardt, one of the most admired and resourceful voices in American independent cinema, appears at the Portland Museum of Art Friday night to participate in a weekend-long retrospective of her three most recent films.
  •   LET'S TALK ABOUT SEX  |  April 09, 2014
    Throughout its two volumes and four hours of explicit sexuality, masochism, philosophical debate, and self-analysis, Nymphomaniac remains the steadfast vision of a director talking to himself, and assuming you’ll be interested enough in him to listen and pay close attention.

 See all articles by: CHRISTOPHER GRAY