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Nominate-best-2010

October lite

The outlook is still gloomy, but film finds time for childish things
By PETER KEOUGH  |  September 17, 2009

 
VIDEO: The trailer for Where the Wild Things Are.

We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies? And not just Disney-esque pabulum, but kids' movies made by some of Hollywood's edgiest auteurs — like Spike Jonze and Wes Anderson. This fall takes a surprise dip into childhood innocence — and given the rest of what's being released (not to mention what will likely be going on in the real world), it should be a desperately appreciated reprieve from dread, doom, and despair.

 
VIDEO: The trailer for The Invention of Lying.

SEPTEMBER
The season begins with a glimmer of hope, a reminder that despite its problems and its divisiveness, America still shines as the promised land for the huddled masses of the world. But does the reality match the promise? In Cherien Dabis's debut feature, AMREEKA (September 25), a Palestinian family escape from the misery of the West Bank to settle in the green pastures of xenophobic rural Illinois.

Okay, so it doesn't seem that attempt at achieving the American Dream is going to work out too well. But how about the old standby FAME (September 25)? Kevin Tancharoen's update of Alan Parker's 1980 musical about New York's High School of the Performing Arts puts those driven kids through their paces as they sing and dance their hearts out in search of the elusive title reward. Kay Panabaker, Kelsey Grammer, and Bebe Neuwirth (Frasier and Lilith together again!) star.

If fame doesn't work out, there's always immortality. John Keats may have died at age 25, but "Ode on a Grecian Urn" will endure as long as Lit 101 is a college requirement. So, too, might his love for Fanny Brawne, now that the great Australian director Jane Campion has preserved it in BRIGHT STAR (September 25), with Ben Whishaw and Abbie Cornish.

It's just a short step from poetry to fiction and THE INVENTION OF LYING (September 25), the first film by British comic Ricky Gervais and co-director Matthew Robinson. In an alternate world far, far away from Fox News, no one has any concept of falsehood — fertile territory for an ambitious entrepreneur with the title innovation. Gervais also stars, along with Jennifer Garner and Jonah Hill.

In our own future, meanwhile, lying and living a double life will be a lot easier if Jonathan Mostow's Philip K. Dick–like SURROGATES (September 25) is any indication. Taking Facebook to its logical extreme, a new technology creates robotic doubles for people by means of which they can vicariously live their own lives. When one of these surrogates gets murdered, a detective investigates. The film stars Bruce Willis and Radha Mitchell, or reasonable facsimiles thereof.

 
VIDEO: The trailer for The Road.

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Related: Are we grading on a curve?, War zones, Fall back, More more >
  Topics: Features , Celebrity News, Entertainment, Bruce Willis,  More more >
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ARTICLES BY PETER KEOUGH
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  •   REVIEW: EDGE OF DARKNESS  |  February 02, 2010
    A new genre is emerging in which aging A-list actors play fathers off on a rampage to rescue their daughters or avenge their deaths.
  •   REVIEW: FROZEN  |  February 03, 2010
    A storm is coming, the girl has to pee, and then things get much worse.
  •   KAREN SCHMEER: 1970-2010  |  February 02, 2010
    Karen Schmeer, the brilliant local film editor whose work on Errol Morris's documentary The Fog of War helped win it the Best Documentary Oscar in 2004, died January 29 in a tragic accident, struck by a getaway car as she was crossing a street in Manhattan. She would have turned 40 on February 20.
  •   IS THERE 'HOPE' IN HOLLYWOOD?  |  January 29, 2010
    Buoyed by President Barack Obama's campaign slogan, many had hopes for change after his election.
  •   REVIEW: WAITING FOR ARMAGEDDON  |  January 27, 2010
    Much scarier than 2012 is this documentary about the death grip that fundamentalist religious groups have on American politics.

 See all articles by: PETER KEOUGH

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