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FallGuide2009

Museum of Fine Arts

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Pottery, Potter, mummies, and a 'Rare Bird'

Museums and galleries gather their objets d'art
The art of 2000 BC Egypt, visions from the Iraq War and AIDS activism, and the magic of a digital technology and Harry Potter make up the highlights of Boston's autumn art calendar.
By GREG COOK  |  September 15, 2009
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No translation necessary

Steve Riley & the Mamou Playboys, live at the M FA, September 26, 2009
Steve Riley & the Mamou Playboys — named for their home town in southwest Louisiana — play music for dancing.
By JON GARELICK  |  August 31, 2009
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Simple gifts

Master architects: The Greenes at the MFA, Frank Lloyd Wright in Manchester
Charles and Henry Greene came to Boston in 1888 to study architecture at Massachusetts Institute of Technology.
By GREG COOK  |  August 18, 2009
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Song of herself

Kaki King adds her voice to the mix
"Listen, I will go on record saying I love Feist, I love Neko Case. I love that music. But that shit's easy listening for the twentysomethings. It fucking is. It's not hard to listen to any of that stuff."
By RICHARD BECK  |  August 05, 2009
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Splendor on the screen

Elia Kazan at the HFA
The arc of Elia Kazan's professional life has its origins in the Group Theatre, where he was trained as an actor and performed in the original 1930s productions of Clifford Odets's Waiting for Lefty and Golden Boy .
By STEVE VINEBERG  |  July 29, 2009
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More than a feeling

Music inspires art at the MFA, Panopticon, and the Gardner
The centerpiece of the Museum of Fine Arts' "Contemporary Outlook: Seeing Songs" is Candice Breitz's 2005 Queen (A Portrait of Madonna), a wall of 30 televisions, each showing a different Madonna fan singing a cappella to her 1990 greatest-hits compilation, The Immaculate Collection. They wear headphones, bob their heads, sing aloud to music we can't hear.
By GREG COOK  |  July 21, 2009
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Joy, not jamming

King Sunny Adé and his African Beats, live at the Courtyard at the Museum of Fine Arts, July 15, 2009
In 1992, Nigerian juju master King Sunny Adé and his African Beats played the Park Plaza Hotel ballroom as part of the Boston Globe Jazz & Blues Festival. What I remember most vividly is the hypnotic overlap of undulating guitar lines.
By JON GARELICK  |  July 17, 2009
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Photos: 'Seeing Songs' at MFA

An eclectic mix of work that draws on music as inspiration
Contemporary Outlook: Seeing Songs at the MFA
By PHOENIX STAFF  |  July 16, 2009
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Pleasure principles

King Sunny Adé still brings the beats
King Sunny Adé's music is bubbly as a tonic — a percolating, pop-infused update of the traditional Yoruba sound. "My songs are made to lift worries, so people can be happy and dance their troubles away," declares the 62-year-old Nigerian world-music star.
By TED DROZDOWSKI  |  July 10, 2009
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Music as memory

Marco Benevento, live at the Museum of Fine Arts, July 1, 2009
When I first saw him perform, at Newport last year, I slammed pianist Marco Benevento for playing "bombastic, leadfoot, pedal-to-the-metal instrumental rock." But that was long ago in another country, and besides, the wench is dead.
By JON GARELICK  |  July 07, 2009
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Music as memory

Marco Benevento, live at the Museum of Fine Arts, July 1, 2009
When I first saw him perform, at Newport last year, I slammed pianist Marco Benevento for playing "bombastic, leadfoot, pedal-to-the-metal instrumental rock." But that was long ago in another country, and besides, the wench is dead.
By JON GARELICK  |  July 07, 2009
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French disconnections

The new-wavers at the French Film Festival
Last year's Boston French Film Festival featured Claude Chabrol's A Girl Cut in Two , and that, combined with this year's Chris Marker retrospective at the Harvard Film Archive and Agnès Varda's fine new The Beaches of Agnès , made it seem almost plausible that the New Wave might rise again.
By PETER KEOUGH  |  July 07, 2009
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States of the art

New England museums worth traveling for
In New England, where you can't swing a sack of cranberries without hitting a venerable cultural institution, anyone with access to a car (or even a subway pass) can scope out these topnotch art museums.
By SHAULA CLARK  |  June 09, 2009
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Trail of tunes

Music al fresco at summer fests
The best summer music festivals take something from the season: the smell of the surf, the sight of the mountains, fireworks, lawn seating — or, at least, fried dough.
By CLEA SIMON  |  June 09, 2009
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Free and easy

10 cash-free ways to make summer not suck
With a beach season approaching in which most people will be squeezing quarters till the eagles fart, it's fair enough to ask aloud, "Is this going to be the worst summer ever ?"
By CHRIS FARAONE  |  June 11, 2009
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Festival atmosphere

Between the Blockbuster and the beach there are the film festivals of New England
Summer traditionally has been the happy hunting ground for Hollywood studios — the time when they unleash their big-budgeted, f/x-heavy warhorses on armies of newly freed schoolchildren and frazzled adults trying to beat the heat.
By PETER KEOUGH  |  June 09, 2009
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Slideshow: Two Mexican exhibits at MFA

Images from "Viva Mexico! Edward Weston and His Contemporaries" and "Vida y Drama: Modern Mexican Prints"
"Viva Mexico!" with "Vida y Drama"
By PHOENIX STAFF  |  June 02, 2009
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Make a run for the border

Edward Weston in Mexico, plus modern Mexican prints
In August 1923, photographer Edward Weston left his wife and three of his four sons in Los Angeles and headed to Mexico City.
By GREG COOK  |  June 02, 2009
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Dark passage

Film noir and the Production Code at the MFA
The Production Code, Hollywood's notorious self-censorship program, was instituted by the Motion Picture Producers and Distributors of America in 1930, but it didn't go into effect till 1934, when it was administered by Joseph I. Breen.
By STEVE VINEBERG  |  May 27, 2009
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Viva Modernism

'Vida y Drama: Modern Mexican Prints' and 'Viva Mexico!: Edward Weston and his Contemporaries' at the MFA
Long before the threat of swine flu, Mexico was the scene of an outbreak of a very different kind: Modernism.
By EVAN J. GARZA  |  May 12, 2009
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Let's talk about sex

Truth and Consequences in  Hide and Seek
It's not that Eve's religious but sisterly mother wouldn't understand, it's that Eve is apprehensive about her not  understanding.
By BILL RODRIGUEZ  |  May 06, 2009
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Dire Strait

Strained relations in the Boston Turkish Film Festival
If the selections in this year's Boston Turkish Film Festival are any indication, nobody in that country lives happily ever after these days.
By PETER KEOUGH  |  March 25, 2009
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East meets West

'Shôwa' at the MFA, and Mrs. Gardner's Asian tour
The paintings in "Shôwa Sophistication" at the Museum of Fine Arts are like the dreamiest travel posters you've ever seen.
By GREG COOK  |  March 24, 2009
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Whodunit?

Art thief Myles Connor talks
Myles Connor: Mayflower descendant, Mensa member, master of disguise, black belt in karate, self-styled "President of Rock 'n' Roll." And probably the most notorious art thief in the history of the United States.
By MIKE MILIARD  |  March 18, 2009
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Slideshow: X-ray reveals secrets of Tintoretto's painting

“Titian, Tintoretto, Veronese: Rivals in Renaissance Venice” at the MFA.
Jacopo Tintoretto’s painting Nativity , in the collection of the Museum of Fine Arts, has long puzzled scholars because of its odd composition.
By GREG COOK  |  March 19, 2009
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Three's company

Titian, Tintoretto, and Veronese rule at the MFA
The show's American curator, Frederick Ilchman, has snagged an improbable number of pairs and trios from the world's famous (and not so famous) museums.
By JEFFREY GANTZ  |  March 11, 2009
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Slideshow: Titian, Tintoretto, Veronese at MFA

"Titian, Tintoretto, Veronese: Rivals in Renaissance Venice" at the Museum of Fine Arts, Boston.
At the Museum of Fine Arts, Boston.  
By PHOENIX STAFF  |  March 12, 2009
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The whiff of art

Heide Hatry, Misaki Kawai, Andrew Mowbray, and William Pope.L
The stench came from the rotting corpse — well, it appeared to be a corpse — of a woman who'd been laid out on a metal table like an exhumed murder victim awaiting a coroner's examination.
By GREG COOK  |  March 03, 2009
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Pop goes Wittgenstein

Jean-Luc Godard at the Museum of Fine Arts
"We were indeed in a political film — that is to say, Walt Disney plus blood." You might have read that bit of '60s film voiceover in a book, but it's unlikely you've ever heard Anna Karina speak it.
By JEFFREY GANTZ  |  February 18, 2009
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David Hilliard at Carroll and Sons

Plus Japanese and European works at the MFA
It's not every day that a guy like me gets to enjoy a photographic investigation of daddy-boy relationships. . . . well, outside of a naughty format.
By EVAN J. GARZA  |  January 26, 2009

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