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| BeowulfFull-blown FX November 20,
 2007 12:43:55 PM 
| VIDEO: Watch the trailer for Beowulf.
 |  In Polar Express, Robert Zemeckis unveiled “performance capture,” a nifty process that turned actors into CGI figments. In this updating of the Old English epic of devils, demons, dragons, and the title hero, Zemeckis goes one step farther, transforming his flesh-and-blood actors into full-blown FX. As Beowulf (mostly in voice), the reliable and paunchy Ray Winstone develops a digitally chiseled physique; Angelina Jolie, as the water nymph and mother of the murderous monster plaguing a Danish kingdom (Crispin Clover the perfect choice for Grendel), fares less well and seems merely colorized. All this cutting-edge techno-wizardry spawns yet another live-action graphic novel, with Beowulf a swaggering braggart doomed by hubris. Although loyal to its roots, the story, co-scripted by Roger Avary (Pulp Fiction), wanders into new territory after the Geat warrior slays Grendel. It drops its epic posture and spews far too many double entendres. 115 minutes | Boston Common + Fenway + Fresh Pond + Circle + Suburbs
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												A step ahead of the rest 
												A rich kid on the road to comeuppance 
												Ever shirtless, ever silly 
												Oodles of fun 
												Inadvertent camp 
												No pulse 
												 A humorless turd 
												Righteous and garden-fresh 
												Silly confusion 
												Cheap and flimsy
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 | Unintentional laughsA step ahead of the restToo many weird gimmicksReligious groups and the environmentA rich kid on the road to comeuppanceA shambling charmerRevisit one of the great films about the artistic processSeraphim in FrancePoignant enoughAn 88-minute flop
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