DO YOU BELIEVE IN SHARON? Consider Cambridge converted.

Jones and her band turned out a show similar to the one they played at the MFA’s outdoor Calderwood Courtyard last August, alternating between up-tempo burners like “Keep On Looking” and slower, silkier songs like “100 Days, 100 Nights,” the title track from their newest album on Daptone Records, with Jones doing the same mid-set shoes-off dance tribute to her African and Native American ancestors. The Dap-Kings, dressed sharp in suits, were tight as a gooseberry, subtly shifting grooves with a tambourine rhythm here and a harmony guitar line there. At the MFA there was plenty of room for folks to shake ass, a luxury lacking at the Middle East. But that didn’t stop people from trying, including one middle-aged couple who got down on top of a bench at the back of the mezzanine. Before the encore of James Brown’s “It’s a Man’s, Man’s, Man’s World” and their funked-up version of “This Land Is Your Land,” Jones said, “I feel like I’m at church having a Sunday-morning revival.” Consider Cambridge converted.