| Are we still calling these ''podcasts''?Fair Game music segment selections November 6,
 2007 11:05:09 AM 
My latest downloadable radio-show obsession — are we really still calling these “podcasts”? — is Fair Game from PRI with Faith Salie, an hour-long “satirical news and entertainment program” distributed four days a week by Public Radio International, the same folks who brought me my first true podcast love, This American Life. Each show features a music segment — usually a live in-the-studio performance and interview. Fair Game’s Web site, www.morefairgame.org, offers downloadable 64 kbps MP3s of the recent music segments in their entirety and higher-quality MP3s of individual songs; older segments are available as streaming MP3s. The selection of bands is varied. Here are some highlights.
|   Sharon Jones & the Dap-Kings
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 Sharon Jones and the Dap-Kings, “Keep On Looking”
 Big-voiced Jones and her shit-hot soul/funk octet the Dap-Kings (who play a sold-out show downstairs at the Middle East Friday) almost capture the freneticism of their live show — not an easy thing to do in the clinical confines of a radio studio. The mix isn’t great — I’d like to hear more of Homer Steinweiss’s drums — but it’s impressive for a radio recording.
 
 St. Vincent, “Human Racing”
 Annie Clark, who’s played guitar with Sufjan Stevens and goes by St. Vincent in solo mode, is an absolute beast on the six-string and a pitch-perfect singer to boot. If I hadn’t seen her live, I’d say there’s no way she’d be able to play those complex jazzy guitar parts while simultaneously singing this song from her St. Vincent debut, Marry Me.
 
 Grizzly Bear, “Knife”
 GB strip one of the best songs from their excellent 2006 album Yellow House down to just multi-part vocals and reverby rhythm guitar — gorgeous.
 
 Peter Bjorn and John, “Let’s Call It Off”
 Acoustic guitar and piano sub for electric guitar and bass, and being the near-perfect construction that it is, the song holds up. The performance, along with Grizzly Bear’s “Knife,” offers a fresh perspective on a familiar song — the best thing about recordings like this.
 
 
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							 Fans are paying the price for the Sox success: inside the Fenway fiasco
  The soap-operatic significance of the Bay Guardian–Village Voice Media battle
  Some Things at Trinity
  Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
  The Big Hurt: Trent Reznor pushes the premium fabric-bound envelope
  The first political leader of my generation acts nothing like the rest of us — which might be how he’s gotten where he is
 
				
					
					
							 Fans are paying the price for the Sox success: inside the Fenway fiasco
  Meet Adam Gaffin, Boston’s reigning Web czar
  The Clean House at New Rep; Gary at Boston Playwrights’ Theatre
  The soap-operatic significance of the Bay Guardian–Village Voice Media battle
  Teatro Lirico I at the Majestic Theatre, March 2, 2008
  The first political leader of my generation acts nothing like the rest of us — which might be how he’s gotten where he is
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												 Amplive's Rainydayz Remixes, approved by Thom 
												The rapid rise of Pretty & Nice 
												Sort of crap 
												Reality TV has not killed the video star 
												Blonde Redhead at Paradise Rock Club, January 20, 2008 
												Mighty Mighty Bosstones at Middle East Downstairs, December 26, 2007 
												A whole new year of live music 
												Ten from Boston’s 2007 pop underground 
												"Miracle on Tremont Street," Orpheum Theatre, December 4, 2007 
												The Black and White Album | A+M/Octone
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