| 
| 
| Hannah Takes the StairsAnd they don't go anywhere September 5,
 2007 5:14:39 PM 
Hannah’s stairs seem like those in the Escher prints that don’t go anywhere, and that describes this entry in the bunch-of-cool-but-inarticulate-twentysomethings-talking-about-stuff genre that Andrew Bujalski brought to full bloom in Mutual Appreciation. Bujalski has a role (and he wrote the screenplay, with a host of others) in this aimless indulgence from Joe Swanberg (LOL) as one of three slackers seduced and abandoned by Hannah (Ellen DeGeneres look-alike Greta Gerwig). Hannah’s problem: she’s never satisfied. Also, she thinks the world is a bad place because nobody listens to anybody. But then, if you listen to her “ramblings,” she has nothing to say. Nonetheless, certain images, like two people in a tub playing the 1812 Overture on trumpets, are worth the visit.
|   HANNAH TAKES THE STAIRS: Rub-a-dub-dub, 1812 Overture in a tub.
 |  |  | 
	
		|  
 |  
		| 
				
					
					
							 More than a decade into their career, Dropkick Murphys accept success — and pay tribute to the people and the city who helped them earn it
  Will Brattle Street torpedo him again?
  Paparazzi were the first to be blamed for the death of the Princess of Wales. My (brief) life as a snapper.
  Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
  The networks put some English on the fall TV season
  Building the new Disney empire, one tween at a time
 
				
					
					
							 More than a decade into their career, Dropkick Murphys accept success — and pay tribute to the people and the city who helped them earn it
  Who is that stashed man?
  A message for Facebook users: you’re being watched
  On the road with Mozart and Molière in Don Juan Giovanni
  Rhode Island is poised for a wireless leap forward with the first-in-the-nation statewide network
  Or why the FCC should go fuck itself
 |  
 
 |  
												A 90-minute Oscar wanna-be 
												Funny but undecidedly pendantic 
												Slyly persuasive Errol-Morris-style 
												Cronenberg’s twisted mirror 
												David Cronenberg revises History 
												The Boston Film Festival: work in progress 
												Julie Taymor reinvents the Beatles 
												Fall films face terror at home and abroad 
												A bad break-up movie 
												A dénouement aching with ambiguity
 | 
  
 | A 90-minute Oscar wanna-beGorgeous high-def spaceFunny but undecidedly pendanticAdding to Odenkirk's cinematic slumpA vigilant film lacking courageThe best film about an American poet ever madeSlyly persuasive Errol-Morris-styleA messy sado-school movieScrewing America one gun-slinger at a timeJean-Luc Godard’s 1965 omnibus rides again
 | 
 
 | 
 | 
 |