| 
| 
| Illegal tenderIneptitude and idiocy August 29,
 2007 4:08:10 PM 
The spectacle of Wanda De Jesus storming out of her tony suburban Connecticut home, blazing away with two stainless-steel-plated 9mms, and bellowing, “Come on, you motherfuckers!”, almost makes the rest of Franc. Reyes’s gangbanging pseudo-epic worth sitting through. The ineptitude and the idiocy hurt the eyes — and then some scene pops up that’s so flamboyantly dumb, it must be intentional, perhaps with an eye to a future Grindhouse twin bill. But irony or homage was no excuse for Tarantino and Rodriguez, and it sure isn’t for Reyes, who despite showing promise in 2002’s Empire here takes his trash straight. De Jesus plays a widow who invested wisely (Microsoft!) after her dealer husband got whacked in the ’80s. She’s been spoiling her boy, Wilson Jr., up to now, but when the past catches up, it’s time to break out the Uzis. Let’s just say Brian De Palma’s Scarface has a lot to answer for.
|   ILLEGAL TENDER: So flamboyantly dumb it must be intentional.
 |  |  | 
	
		|  
 |  
		| 
				
					
					
							 More than a decade into their career, Dropkick Murphys accept success — and pay tribute to the people and the city who helped them earn it
  Will Brattle Street torpedo him again?
  Paparazzi were the first to be blamed for the death of the Princess of Wales. My (brief) life as a snapper.
  Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
  The networks put some English on the fall TV season
  Building the new Disney empire, one tween at a time
 
				
					
					
							 More than a decade into their career, Dropkick Murphys accept success — and pay tribute to the people and the city who helped them earn it
  Who is that stashed man?
  A message for Facebook users: you’re being watched
  On the road with Mozart and Molière in Don Juan Giovanni
  Rhode Island is poised for a wireless leap forward with the first-in-the-nation statewide network
  Or why the FCC should go fuck itself
 |  
 
 |  
												A 90-minute Oscar wanna-be 
												Funny but undecidedly pendantic 
												Slyly persuasive Errol-Morris-style 
												Cronenberg’s twisted mirror 
												David Cronenberg revises History 
												The Boston Film Festival: work in progress 
												Julie Taymor reinvents the Beatles 
												Fall films face terror at home and abroad 
												A bad break-up movie 
												A dénouement aching with ambiguity
 | 
  
 | A 90-minute Oscar wanna-beGorgeous high-def spaceFunny but undecidedly pendanticAdding to Odenkirk's cinematic slumpA vigilant film lacking courageThe best film about an American poet ever madeSlyly persuasive Errol-Morris-styleA messy sado-school movieScrewing America one gun-slinger at a timeJean-Luc Godard’s 1965 omnibus rides again
 | 
 
 | 
 | 
 |