Review: Anthony Hamilton | The Point of it All

Zomba
By ZETH LUNDY  |  December 16, 2008
2.0 2.0 Stars

081218_hamilton_main

Anthony Hamilton is like a latter-day Bill Withers, with a gruff, straight-talkin' voice that can holler at you from across the room and then downshift to a gentler, fatherly tone once you draw close.

Next to Cee-Lo Green, Hamilton has one of the best voices in the contemporary soul crop. Yet that voice continues to be paired with an increasingly clinical production æsthetic: programmed beats, bright tinkling pianos, and keyboard horns (for real?) create the template for his latest.

The problem with this sound isn't that it's contemporary or hip-hop-inspired (any soul singer who doesn't live in the present, after all, is unfairly dubbed "retro") — it's just lifeless. Hamilton attempts to resuscitate it with his warm voice, but the record plods on with one mid-tempo nodder after another. Finally, at track 10, a true hook: "Fallin' in Love" trips into a deep, contagious groove, and it's followed by the gospel steam of "Prayin' for You (Superman)." That's nearly a last-minute save, but synthetic agendas beat out raw human emotion in this go-round.

  Topics: CD Reviews , Entertainment, Music, Pop and Rock Music,  More more >
| More


Most Popular
ARTICLES BY ZETH LUNDY
Share this entry with Delicious
  •   BROWN BIRD | FITS OF REASON  |  March 18, 2013
    Brown Bird, a boundary-pushing Americana duo from Rhode Island, make music that touches upon that can't-put-my-finger-on-it amalgamation of past and future sounds.
  •   NICK CAVE & THE BAD SEEDS | PUSH THE SKY AWAY  |  February 20, 2013
    Much like the similarly low-key The Boatman's Call , Cave's highly anticipated 15th album with the Bad Seeds manages the puzzling feat of making a great band seem inconsequential, if not entirely absent.
  •   SCOTT WALKER | BISH BOSCH  |  November 27, 2012
    Scott Walker's late-period about-face is one of the strangest in the annals of pop music.
  •   BILL WITHERS | THE COMPLETE SUSSEX AND COLUMBIA ALBUMS  |  October 31, 2012
    Bill Withers has always been the down-to-earth, odd-man-out of the '70s soul brothers: he's the one who came bearing a lunch box on the cover of his relaxed 1971 debut, Just as I Am .
  •   R.E.M. | DOCUMENT [25TH ANNIVERSARY EDITION]  |  September 19, 2012
    Fans of R.E.M. enjoy arguing over which album was the band's true shark-jump, but 1987's Document was inarguably the end of a groundbreaking era.

 See all articles by: ZETH LUNDY