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As a child in the Tuscany port town of Livorno, Bruno was understandably anxious and unsettled as he and his sister scooted after their hot mamma (Micaela Ramazzotti) because all three had been bounced from their home by a jealous father. Three decades later, Bruno (Valerio Mastandrea) is still a sourpuss, a disinterested high school teacher in Milan on the way to drug addiction. Can he finally reach some maturity — and find some peace — in a reconciliation with his ever-upbeat mother (now played by Stefania Sandrelli)? In contrast to him, she's a cheery presence, even though she's in Livorno on her deathbed. An ensemble of excellent Italian actors keep Paolo Virzì's The First Beautiful Thing fairly diverting, and in check from getting overly mushy. Still, the film becomes wearisome due to Virzì's indulgent use of busy, overstated flashbacks.

ITALIAN | 122 MINUTES | KENDALL SQUARE

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ARTICLES BY GERALD PEARY
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  •   REVIEW: THE FIRST BEAUTIFUL THING  |  June 09, 2011
    As a child in the Tuscany port town of Livorno, Bruno was understandably anxious and unsettled as he and his sister scooted after their hot mamma (Micaela Ramazzotti) because all three had been bounced from their home by a jealous father.
  •   REVIEW: LOUDER THAN A BOMB  |  June 02, 2011
    The kids whom Jacobs and Siskel have chosen for us to watch are so enthralling, with such remarkable life stories, that their autobiographical poems have actual power.
  •   REVIEW: SONS OF PERDITION  |  May 26, 2011
    If Jonestown's Jimmy Jones ran North Korea, it would be like the cultist, fascist, ignorant, sexually craven society that exists in Columbia City, Colorado, under the thumb of self-proclaimed prophet Warren Jeffs.
  •   REVIEW: BLANK CITY  |  May 26, 2011
    When you romanticize, everything awful is awesome and inspiring. And so it is with the nostalgic, now-middle-aged, indie filmmakers interviewed in Céline Danhier's Blank City, reflecting on the late '70s and early '80s on New York's Lower East Side.
  •   REVIEW: INCENDIES  |  May 12, 2011
    Of the five pictures nominated by the Academy for Best Foreign Language Film this year, Denis Villeneuve's Incendies is the one that should have taken the Oscar.

 See all articles by: GERALD PEARY

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