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Review: A Late Quartet


Unless Ken Russell is directing, films about musicians seldom are as exciting as the music they make.
By: PETER KEOUGH  |  November 01, 2012

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Review: Silent Hill: Revelations 3D


Silent Hill fans are gluttons for punishment.
By: BRETT MICHEL  |  October 31, 2012

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Review: The Bay


Fourth of July festivities in a quaint small town on the Chesapeake Bay are spoiled by the mass ingestion of tongue-eating isopods, all fortuitously recorded by never-before-seen news footage and consumer-grade cameras, in this, Barry Levinson's collaboration with the Paranormal Activity boys.
By: ANN LEWINSON  |  October 31, 2012

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Review: The Loneliest Planet


Nica (Hani Furstenberg) and Alex (Gael García Bernal) are fit and fearless adventurers backpacking through Georgia's Caucasus Mountains until a split-second lapse of judgment calls everything they took for granted into question.
By: ANN LEWINSON  |  October 31, 2012

wreckitralph

Review: Wreck-It Ralph


John C. Reilly gives a terrific vocal performance in this computer-animated look at the secret lives of video game arcade characters (like Tron by way of Toy Story ), directed by Rich Moore, a veteran helmer of The Simpsons and Futurama .
By: BRETT MICHEL  |  October 31, 2012

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Review: The Details


God is not in these details. Jacob Aaron Estes's black comedy gets so dark that it's not even funny.
By: PETER KEOUGH  |  November 01, 2012



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Review: War of the Buttons


Based upon Louis Pergaud's beloved and much adapted 1912 novel, this retread by Christophe Barratier ( Paris 36 ) is flawed but has its charms.
By: PEG ALOI  |  October 24, 2012

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Review: Cloud Atlas


The most disappointing film of the year, Lana and Andy Wachowski and Tom Tykwer's adaptation of David Mitchell's 2004 novel fails on nearly every level.
By: PETER KEOUGH  |  October 26, 2012

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Review: Paranormal Activity 4


The scares — and there have been some good ones — in the Paranormal franchise depend on what's not happening.
By: ALEXANDRA CAVALLO  |  October 24, 2012

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Review: Tai Chi Zero


Mashup, hodgepodge, or remix — call it what you will, this kung fu odyssey from former action star Stephen Fung offers intermittent pleasures and freaky twists.
By: TOM MEEK  |  October 24, 2012

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Review: The Other Son


It's a far-fetched premise: two boys mixed up at birth, a Palestinian raised by an Israeli-army colonel and his French wife in Tel Aviv, a Jew brought up by a West Bank Muslim family who have had a son killed in the occupation.
By: GERALD PEARY  |  October 24, 2012



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Review: The Big Picture


A word of advice to anyone who kills his wife's lover, fakes his own death, assumes the dead guy's name, and flees to a seaside Balkan town: leave the camera at home.
By: PETER KEOUGH  |  October 24, 2012

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Review: Alex Cross


The level of writing in Alex Cross is inferior to that of your fourth-favorite TV cop show.
By: BETSY SHERMAN  |  October 24, 2012

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Review: Smashed


Within minutes of arriving on screen, Kate (Mary Elizabeth Winstead) drunkenly wets her bed, sloppily teaches her kindergarten class, and wraps up a night of partying by smoking crack at the local homeless hangout.
By: JAKE MULLIGAN  |  October 24, 2012

high_ground

Review: High Ground


In October 2010, 11 wounded Iraq and Afghanistan War veterans — blind, missing limbs, suffering from traumatic brain injury or PTSD — took part in "Soldiers to the Summit," a mission to climb Nepal's 20,000 foot Mt. Lobuche.
By: PETER KEOUGH  |  October 24, 2012

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Review: The Sessions

Sexual healing
No other film this year pushes as many Academy buttons as Ben Lewin's adaptation of the true story of the Dorchester-born poet and writer Mark O'Brien, a paralyzed polio survivor who hired a sex surrogate to lose his virginity.
By: PETER KEOUGH  |  November 14, 2012



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Review: Wuthering Heights [2012]

Tough love
Merchant-Ivory this is not. Nor is it any Emily Brontë we've seen before.
By: PETER KEOUGH  |  October 19, 2012

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Review: Beauty Is Embarrassing


This is a rare documentary in which the camerawork and editing (and lively animation) are as dynamic as its subject.
By: ANN LEWINSON  |  October 18, 2012

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Review: Sinister


From the producer of the fading Paranormal Activity franchise comes a horror movie that is plainly frightening in a way that so few today are.
By: ALEXANDRA CAVALLO  |  October 18, 2012

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Review: Conned (2010)


"What is this, some kinda' fuckin' joke?" These are the first words uttered in writer/director Arthur Luhn's homegrown comedy.
By: BRETT MICHEL  |  October 18, 2012

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Review: Sister


Increasingly popular among American independent filmmakers, the school of miserabilism — starkly dramatizing the poor, wretched, and unjustly deprived — has thrived in Europe.
By: PETER KEOUGH  |  October 18, 2012


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