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JON GARELICK

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Concertizing

John Hollenbeck plays New Year's Eve! Plus, the Rempis/Rosaly duo
When I reach John Hollenbeck by phone, he's on a sojourn typical of the modern itinerant composer — a week-long teaching residency.
By: JON GARELICK  |  December 15, 2009

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Carla Bley | Carla's Christmas Carols

Watt/ECM (2009)
It's possible to play Christmas carols with humor but not mockery. So, yes, there's a bit of an eggnog buzz in the wah-wah muted horns of "It Came Upon a Midnight Clear," and a soca lilt to "Jingle Bells." But in this case, "humor" means serious-minded but without solemnity or sentimentality.
By: JON GARELICK  |  December 16, 2009

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The Rolling Stones | Get Yer Ya-Ya's Out! The Rolling Stones in Concert

ABKCO (2009)
This live 1969 Madison Square Garden set was released at the band's peak, following Beggars Banquet and Let It Bleed , preceding Sticky Fingers and Exile on Main Street , and recorded a week before the disaster at Altamont.
By: JON GARELICK  |  December 09, 2009

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Getting the story

Gary Giddins and Scott DeVeaux sing jazz's many strains
Full-length written histories of jazz can be a slog. Especially since "the story of jazz" (as critic Marshall Stearns titled his 1956 tome) only gets longer and more complicated. Personally, on these prose-narrative trips along the New Orleans–New York axis of musical development, I usually bog down somewhere outside Chicago.
By: JON GARELICK  |  December 01, 2009

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Miss Tess | Darling, Oh Darling

Self-released (2009)
Boston singer-songwriter Miss Tess has always had the pipes and the taste to carry off her various ventures into country, blues, and multi-hued swing, but Darling, Oh Darling underlines her overall sound.
By: JON GARELICK  |  December 02, 2009

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Erik Deutsch | Hush Money

Hammer and String
Having played in projects from jam bands to jazz and as a singer-songwriter accompanist, keyboardist Erik Deutsch led an acoustic jazz album for his debut.
By: JON GARELICK  |  November 25, 2009



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Mixed media

Ran Blake's Pawnbroker, Sofia Koutsovitis's pan-American roots
Film noir has been a running theme in composer/pianist Ran Blake's work since the beginning of his career — his very first album, The Newest Sound Around (RCA, 1962), with singer Jeanne Lee, began with David Raskin's theme to Otto Preminger's Laura .
By: JON GARELICK  |  November 18, 2009

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Live and on record

Darius Jones, Kurt Rosenwinkel, and Ben Goldberg’s Go Home
To call Darius Jones’s music avant-garde seems almost beside the point. In its way, it’s older than old — it’s ancient.
By: JON GARELICK  |  November 04, 2009

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Henry Threadgill Zooid | This Brings Us To, Volume 1

Pi (2009)
Henry Threadgill has been reinventing his language — and by extension the jazz language — for at least 30 years, beginning with the trio Air in the 1970s.
By: JON GARELICK  |  October 28, 2009

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Slow hand

Jeremy Udden’s rocky jazz path
In his Village Voice review of Jeremy Udden’s Plainville (Fresh Sound New Talent), Jim Macnie recalled how a friend of his tried to file it as “jazz for Wilco fans.” As Macnie explained, that’s not the whole story with Udden or Plainville , but it’s not a bad starting point.
By: JON GARELICK  |  October 21, 2009

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Dafnis Prieto Si o Si Quartet | Live at Jazz Standard NYC

DafnisonMusic (2009)
Prieto is one of the supermen drummers of contemporary jazz — Cuban-born, fluent in all idioms, a multitude of patterns flowing through him and into his hands and feet at any given point.
By: JON GARELICK  |  October 14, 2009



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Old school, new school

Amanda Carr and Gretchen Parlato do it their way
If fans plan shrewdly next Thursday (October 15), they can hear jazz singing at its best in two completely different styles.
By: JON GARELICK  |  October 08, 2009

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Linda Oh Trio | Entry

Linda Oh Trio (2009)
Chinese-Australian bassist Linda Oh (now living in NYC) favors a spare setting on this debut: trumpet, bass, and drums.
By: JON GARELICK  |  September 28, 2009

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Coming home

Terri Lyne Carrington gives the BeanTown Jazz Fest the blues
Terri Lyne Carrington gives the BeanTown Jazz Fest the blues
By: JON GARELICK  |  September 25, 2009

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No new age

Earthsound is for real
Yes, this Boston jazz trio incorporates the sounds of seals, tree frogs, and crickets. Yes, one of them is a working ecologist. Here's why you shouldn't hold that against them.
By: JON GARELICK  |  September 25, 2009

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Teachers and students

NEC and Berklee set the jazz stage
Several of this fall's promising jazz performances are clustered around the week of October 18. That marks the 40th-anniversary celebration of the jazz-studies program at New England Conservatory, which, created by Gunther Schuller, established NEC as one of the international twin beacons of jazz education in Boston along with Berklee College of Music.
By: JON GARELICK  |  September 14, 2009



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More than guitar

Julian Lage's talent isn't just in his fingers
"I like using songs to change the environment — to get the listener's ear to be a little skewed."
By: JON GARELICK  |  September 08, 2009

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Luis Bonilla | I Talking Now

NJCO/Planet Arts (2009)
Sometimes even the fanciest jazz virtuosity can sound routine, if for no other reason than that we've heard it all before.
By: JON GARELICK  |  September 02, 2009

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Review: Dr. John and the Neville Brothers at House of Blues

Dr. John and the Neville Brothers, live at the House of Blues on August 28, 2009
Even long-time fans probably didn't expect the generous, inspiring show Dr. John and the Neville Brothers delivered as part of a "Mardi Gras Mambo" tour stop at the House of Blues last Friday.
By: JON GARELICK  |  September 08, 2009

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No translation necessary

Steve Riley & the Mamou Playboys, live at the M FA, September 26, 2009
Steve Riley & the Mamou Playboys — named for their home town in southwest Louisiana — play music for dancing.
By: JON GARELICK  |  August 31, 2009

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Street rhythm

Florencia Gonzalez gets ugly . Plus, Dave Holland is sitting pretty.
In the city where Florencia Gonzalez grew up — the Uruguayan capital of Montevideo — every neighborhood has its own candombe group. These are drum outfits that might meet on a Sunday afternoon, a Wednesday night, or particular holidays, depending on neighborhood tradition.
By: JON GARELICK  |  August 25, 2009


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