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Museum And Gallery

Just a little bit

‘Lossless’ at The Sert Gallery, ‘Overflow’ at Laconia Gallery, Garry Knox Bennett at the Fuller, and String-Theory-inspired art and music at NESAD
Digital-era experimental filmmakers occupy a rich and interesting place in relation to the new technology available to them.

By: RANDI HOPKINS | September 23, 2008

Generation gap

"Black Womanhood" at Wellesley College’s Davis Museum and Cultural Center
It’s an uneven show with a dour vision that leaves a mediciny taste in your mouth — and, I think, offers signs of a generation gap among curators.

By: GREG COOK | September 23, 2008

When the red, red robin . . .

‘Language Of Color’ at the Harvard Museum of Natural History, ‘Speaker Project’ at MassArt, Cathy McLaurin at Montserrat
This exhibit explores the basic nature of color and its relationship to survival and pleasure in the world.

By: RANDI HOPKINS | September 17, 2008

Stone age

Assyrians get their war on at the MFA
The works range from the ninth to the seventh century BC, when Assyria dominated the Near East, ruling lands from present-day Iran to Israel to Egypt.

By: GREG COOK | September 16, 2008

Slideshow: Art and Empire at the MFA

Images from "Art and Empire" at the MFA
Images from "Art and Empire: Treasures from Assyria" at the Museum of Fine Arts, September 21-January 4, 2009

By: PHOENIX STAFF | September 18, 2008

Dollhouses and dream states

Memory, sound, time, and toothpicks define the season
Autumn highlights in the museums and the galleries.

By: RANDI HOPKINS | September 11, 2008

The nature of the beast

Kevin Hooyman’s ‘Dark Walk’ at Proof, ‘The Exquisite Line’ at BU, ‘Material Meditation’ at The New Art Center
In the world of graphic novelist Kevin Hooyman, whose show opens at Proof Gallery on September 13, packed line drawings take you deep into strange and fantastical scenes.

By: RANDI HOPKINS | September 10, 2008

Yes, but why?

Bumpkin Island puzzler
Isolation was part of the challenge.

By: IAN SANDS | September 03, 2008

I am I said

‘Empire and Its Discontents’ and more at Tufts; ‘Re-View’ and visiting faculty at Harvard; GASP’s Fourth Anniversary
Tufts University Art Gallery presents “Empire And Its Discontents,” which opens September 15 with work by 11 artists tied to previously colonized regions in the Middle East, North Africa, and South Asia.

By: RANDI HOPKINS | September 03, 2008

Photos: The '68 Democratic Convention

Images from the exhibit "The Whole World Was Watching" at Panopticon Gallery
Images from the exhibit "The Whole World Was Watching" at Panopticon Gallery

By: RON POWNALL | August 27, 2008

Time bombs

‘Atomic Afterimage’ at Bu, Foreclosures and Risk Structures at MIT, and the Cultural DMZ At Simmons
Timely new exhibitions look at the lust for power and risky business.

By: RANDI HOPKINS | August 27, 2008

A history of violence

Ron Pownall’s photos of the ’68 Democratic Convention
It was August 28, 1968, and Ron Pownall could feel the storm brewing as he arrived at a Vietnam War protest during the Democratic Convention in Chicago.

By: GREG COOK | August 26, 2008

White walls, black paint

Street art looking fine
Not long after walking into the Distillery Gallery on a Monday evening, Thomas Buildmore removes two painted-over NO PARKING signs that had been screwed into the wall. “This show isn’t about street art,” he says.

By: CAITLIN E. CURRAN | August 20, 2008

The devil in the details

‘Drawn to Detail’ and ‘Laylah Ali’ at the DeCordova, Esteban Pastorino Díaz at the SMFA, and Student Loan Art Program at MIT
It’s hard to imagine stopping to look at drawings that don’t coalesce till you let them pull you in and spin you around a bit.

By: RANDI HOPKINS | August 28, 2008

One world, several dreams

“Business as Usual: New Video From China” at MassArt, “Text in Video” at Axiom, and “Many Kinds of Nothing” at Montserrat
It’s no secret that recent years have seen a new “cultural revolution” in the visual arts in China.

By: RANDI HOPKINS | August 12, 2008

Slideshow: Michael C. Smith's Carnival photography

From "Streets of Color" exhibit at Lesley's Marran Gallery
From "Streets of Color" exhibit at Lesley's Marran Gallery

By: MICHAEL C. SMITH | August 14, 2008

Street art

Boston’s Caribbean Carnival at 35
The exhibit’s 37 color photos from 2005 to 2007, plus three plumed headdresses, serve as an appetizer for the Carnival, which celebrates its 35th anniversary this month.

By: GREG COOK | August 12, 2008

No sex, please, it's Boston?

Nicholas Hlobo tones it down at the ICA
It’s a big, curious, floating object, a leaping whale, a flying squash, a makeshift anatomy display, with a bit of carnival atmosphere.

By: GREG COOK | August 04, 2008

Peabody rising

Bold leadership and an ambitious curatorial vision have vaulted the Peabody Essex Museum into a spot among the country’s best
Could the Peabody Essex Museum be the Boston area’s most exciting art museum right now?

By: GREG COOK | July 23, 2008

Kickstart art

Galleries band together
The straightforwardly named Boston Contemporary Group aims “to support an environment in Boston for critically relevant contemporary art.”

By: GREG COOK | July 23, 2008

Rubber soul

‘Momentum 11: Nicholas Hlobo’ at the ICA; ‘12 X 12’ in Provincetown
Pink satin ribbon, rubber inner tubes, and large swaths of flowing organza are some of the materials that Nicholas Hlobo uses in various media to examine gender, ethnicity, and his South African heritage.

By: RANDI HOPKINS | July 29, 2008

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