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Battles | Gloss Drop
CD Reviews
Son Volt | American Central Dust
Rounder (2009)
By
JEFF TAMARKIN
|
July 15, 2009
Son Volt | American Central Dust
" alt="photo of 'Son Volt | American Central Dust'">
3.0
Stars
With
American Central Dust
, Jay Farrar has now accomplished something he was unable to do either during Son Volt's initial run (1995-99) or his evidently aborted solo career (2001-04): released three consecutive albums of undeniable quality. The newest set by the reconstituted Son Volt is as solid as, if less fussy and more pensive than, 2005's
Okemah and the Melody of Riot
or 2007's
The Search
.
The latest configuration — new guitarist Chris Masterson and keyboardist/steel guitarist Mark Spencer augment Farrar, bassist Andrew Duplantis, and drummer Dave Bryson — is more settled in.
American Central Dust
feels as if it was cut by a band that's worked together for years, even if it is a brand new band. There's an easiness and directness to these tunes that was missing the last couple of times out, aided by Joe Henry and Ryan Freeland's no-nonsense mix but owing mainly to Farrar's vivid songwriting.
The most talked-about tune will undoubtedly be the spare, lush piano-driven ballad "Cocaine and Ashes," a tribute to Keith Richards ("I snorted my father and I'm still alive/I did it because that's how it is done/I'm the same as everyone, just kind of lucky"). But virtually all of the new material (including the gnashing "When the Wheels Don't Move," a thinly veiled commentary on the current economy) makes for a worthy addition to Farrar's catalog.
Related
:
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,
Unextinct
,
Review: The many tentacles of Jason Spooner's Sea Monster
,
More
Son Volt
The usual rap against Son Volt is that the group adhere too tightly to roots-music orthodoxy — in other words, that they’re dead boring.
Unextinct
The convo is already off to a bumpy start with one Lou Barlow of Dinosaur Jr., phoning in from his Los Angeles residence at 10:30 am PST.
Review: The many tentacles of Jason Spooner's Sea Monster
Jason Spooner is an amalgamation of John Prine and John Mayer — great songs and great hair, all in one package. Their aesthetics are similar, too. Sure, there are important and wounded songs in the bag, but these guys aren't afraid to have a good time, either.
From Sun Volt to Guthrie with Jay Farrar
Putting together the New Multitudes project, singer-guitarist Jay Farrar had access to a treasure trove: thousands of lyrics from the Woody Guthrie Archives.
Flashbacks: June 2, 2006
These selections, culled from our back files, were compiled by Jessica Coughlin and Sam MacLaughlin.
We're all the Hold Steady
When’s the last time you fell so hard for a band you drove 339 miles — alone — to see them?
Missionary man
Parsons’s influence is pervasive, from the Stones to Elvis Costello, Uncle Tupelo, and Wilco.
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ARTICLES BY JEFF TAMARKIN
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The new New York Dolls have now been around longer - and released more albums (three) - than the old New York Dolls, and they're commemorating that new longevity by letting go of any compulsion they may have still harbored to honor their designation as "punk-rock progenitors."
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| March 09, 2011
The soul revival has been going on long enough now that maybe it's a not a bad idea to stop calling it a revival at all.
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| October 19, 2010
From the Kate Moss cover pic to the A-list of guest stars to the reunion with original Roxy Music members Brian Eno, Phil Manzanera, and Andy Mackay, Olympia screams, "EVENT!"
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When Old 97's are on — which they are most of the time on their eighth studio album — they're very, very on.
DAR WILLIAMS | MANY GREAT COMPANIONS
| October 05, 2010
The companions of the title are Dar Williams's songs, which the singer-songwriter revisits here two different ways.
See all articles by:
JEFF TAMARKIN
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