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Battles | Gloss Drop
CD Reviews
Wavves | Wavves
Fat Possum (2009)
By
DEVIN KING
|
March 17, 2009
Wavves | Wavves
" alt="photo of 'Wavves | Wavves'">
2.5
Stars
The second release in seven months from San Diego pop wunderkind Wavves — Nathan Williams, to his skater bros — continues his loner's perspective on teenage California. I grew up in Texas, where (maybe you've heard) we ride horses to school and shit in outhouses, so this lyrical material is all a bit new to me: weed, beach, sun, goths, punx, girls.
Williams, who's part of the back-to-cassette movement, channels his nervy (suburban?) energy into three-chord garage-pop songs filled with overblown washes of fuzzy guitars and backed by thumping drums, maracas, and a broken synthesizer or two. His melodies, whether delivered in an affected falsetto (closer to Animal Collective than the Beach Boys) or a grumpy baritone, are simple and hummable to a fault — without the energy of the distorted cassette recording, I have a feeling the songs would be a bit too cloying.
That said, the album includes a few ambient and instrumental tracks based in the same instrumentation, and these show Williams's capabilities not only as a punk songwriter but as an investigative musician stretching to combine the instant gratification of pop with more experimental ideas. Perhaps by
Wavvvvves
he'll have it down.
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ARTICLES BY DEVIN KING
FATHER MURPHY | ... AND HE TOLD US TO TURN TO THE SUN
| July 29, 2009
Harking back to an America where one's own lonely voice was the only radio and a BBQ meant a spit in the middle of the desert, Torino's Father Murphy hide detuned industrial textures within stripped-down, spacy folk instrumentation, like a man in a black hat picking up a bullet-riddled guitar with which to serenade his captives.
SOUNDCARRIERS | HARMONIUM
| May 27, 2009
The first album from this Nottingham-based band is California dippy: whispered female/male harmonies, slack flutes, swinging drums, comping Hammond organs, and a bass player who finds basic funk riffs in every progression.
THE MOVING PICTURES
| May 12, 2009
If one way that bands tie themselves to the past is through sonic reference — Fleet Foxes calling forth Crosby, Stills and Nash, or Animal Collective channeling the Grateful Dead — then there's been a number of bands who tie themselves to the past through cultural reference.
VARIOUS ARTISTS | OPEN STRINGS: 1920S MIDDLE EASTERN RECORDINGS
| May 06, 2009
Over the past year, Honest Jon's has released three compilations culled from more than 150,000 78s of early music from the EMI Hayes Archive: music from 1930s Baghdad, early West African music recorded in Britain, and a more general compilation that moved across country lines and the first half of the 20th century.
PAPERCUTS | YOU CAN HAVE WHAT YOU WANT
| April 14, 2009
Hidden under reverb and aggressive analog production, the first sung lyrics on You Can Have What You Want belie what seems to be a cheery record title: "Once we walked in the sunlight three years ago this July."
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DEVIN KING
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