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Sam Yahel Trio
Truth and Beauty | Origin
By
ADAM GOLD
|
June 27, 2007
SAM YAHEL TRIO, TRUTH AND BEAUTY
" alt="photo of 'SAM YAHEL TRIO, TRUTH AND BEAUTY'">
3.0
Stars
Sam Yahel’s expressive approach to the Hammond B3 organ has made him one of the most sought-after sidemen in jazz. He’s appeared on Norah Jones’s
Come Away with Me
and Madeleine Peyroux’s
Half the Perfect World
, toured with guitarist Bill Frisell, and supported tenor-saxophonist Joshua Redman in the backbeat-jazz-pioneering Elastic band.
Truth and Beauty
sees him reunited with Redman and fellow Elastic band drummer Brian Blade, and the trio’s synergy is as dynamic as ever. The opening title track could have appeared on 2002’s
Elastic
(Warner Bros.), with Blade’s colorful bop-rock drumming supporting punchy organ comps and a simple, catchy melody. But Yahel soon ventures into free jazz on a rendition of Ornette Coleman’s “Check Up” that’s as fragmented and impressionistic as the disc’s collage cover art. Woven among Yahel’s originals are a stark take on Paul Simon’s “Night Game” and a meditative solo performance of Gilberto Gil & João Donato’s “A Paz.” And Yahel is able to communicate a lot with the tweak of a few drawbars — his navigation of what fellow keyboardist Brad Mehldau calls in the liner notes the “sonic palette” of his instrument.
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ARTICLES BY ADAM GOLD
SAM YAHEL TRIO
| June 27, 2007
Sam Yahel’s expressive approach to the Hammond B3 organ has made him one of the most sought-after sidemen in jazz.
ROUGHING IT
| June 05, 2007
The Rough Guide series has long been a staple of the travel publishing industry; less well known is the company’s music division.
IN WYNTON'S SILHOUETTE
| January 28, 2010
Wynton Marsalis’s iTunes exclusive Live Session — featured in Apple’s recent “Silhouettes” TV ad — is proof enough that jazz is as downloadable as any hip DJ mash-up.
See all articles by:
ADAM GOLD
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