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Battles | Gloss Drop
CD Reviews
Gus Gus
Forever | Groove
By
MICHAEL FREEDBERG
|
May 22, 2007
GUS GUS, FOREVER
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Stars
Gus Gus
This Iceland outfit’s fifth album says electronic club music — the kind created by DJs, not rock bands. Here the DJ is “President Bongo,” the diva voice belongs to “Earth,” and the added sounds (including baritone vocals) are input by Biggi Veira. The result is described as “techno soul,” but though techno could apply to six-to-nine-minute tracks that, for the most part, offer plenty of buzzsaw noise in the middle registers and only a scanty beat, soul — with the exception of the deep-house track “Moss” and its smoky-voiced, rapturous vocal — this isn’t. Soul suggests serious issues sung with intensity; here the melodies feel breezy, the soprano vocals light and full of fun. There are songs about this or that aspect of boy-meets-girl but there’s little drama; instead, boy and girl talk around each other, imagine holding each other, play with the idea as the music keeps the action moving along instead of stopping for a decision. Still, the music has enough variety to direct dancers toward several possibilities, all of them imaginatively phrased, from the funky electro-house of “Porn” and the tech-house “Demo 54” and “Mallflowers” to the rock-like “If You Don’t Jump (You’re English)” and the title track.
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Boston music news: April 25, 2008
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Gus Gus | 24-7
Letting the music take control is a primary tenet of the dance-floor ethos — but that's only because dance music is by nature submissive. Even at its most sonically rich, dance music remains a utility, and even when it demands your attention, it does so in service to your good times.
Solid gold
One of the biggest names in indie rap for the better part of a decade, Minneapolis duo Atmosphere have just released their latest album, When Life Gives You Lemons, You Paint That Shit Gold.
Boston music news: April 25, 2008
“As far as I know,” says saxophonist Ken Field, “ Forked Tongue is the only CD ever released to include songs by both Ornette Coleman and Billy Idol.”
The Boston Horns
These primal-funk black belts led by former Heavy Metal Horns leaders Henley Douglas Jr. and Garret Savluk spare no grease on their sixth studio album.
Freaks and frauds
Freaks you expect, but frauds and hucksters also populate the loosely defined subculture known as the underground.
The low end
The British rave revolution of the late ’80s/early ’90s is accurately viewed as the source of the ever increasing number of dance genres in the UK.
The Station’s long shadow
For most Rhode Islanders, the Station nightclub conflagration — the worst disaster in the state since the hurricane of 1938 — is like a receding object in a rearview mirror.
Duke Levine
It’s an essay in tension and restraint.
Freeway
The Philly native isn’t the popster they hoped he would be.
Boston music news: February 1, 2008
The Cello Chix celebrate the release of Under the Covers at Lizard Lounge on February 8.
Honeydripper
John Sayles’s first clunker is a threadbare yarn about the emergence of rock and roll that substitutes clichés for character development.
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05/29
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PuppeTyranny present "Beans! Beans! Beans!"
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"2012 RISD Graduate Thesis Exhibition"
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"TechnoCraft: Where High Tech Meets Handmade,"
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ARTICLES BY MICHAEL FREEDBERG
DONNA SUMMER, 1948-2012
| May 22, 2012
Donna Summer, Dorchester born and always Boston-loyal, died last week, reportedly of lung cancer.
DANCE MARATHON
| March 04, 2008
A full brigade of House Nation citizens turned out for Victor Calderone’s marathon spin session at Therapy last Saturday.
HOUSE HEADS
| February 19, 2008
The lounge at 33 Restaurant & Lounge on Stanhope Street in the Back Bay may just have Boston’s tiniest dance floor. The upstairs restaurant isn’t much bigger.
SANDER KLEINENBERG
| January 22, 2008
Kleinenberg’s 28 selections were made by names not well known — the classic strategy by which a DJ projects his own sound, one unmistakable for anyone else’s.
FLOWER POWER
| January 14, 2008
As I write this, I’m listening to the newest Jeanne Mas CD, The Missing Flowers .
See all articles by:
MICHAEL FREEDBERG
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