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Mogwai | A Wrenched Virile Lore
Sub Pop (2012)
December 4, 2012
Mogwai - A Wrenched Virile Lore
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If you're like me, your hard drive is littered with random remix albums, and you have little to no clue how they got there. The remix album is to music what the DVD commentary is to film — both seem fun at first, but they're ultimately exhausting. We go through the motions once out of obligation, and we rarely emerge enlightened. And so it goes with Mogwai's
A Wrenched Virile Lore
: a broad range of electro producers, ambient knob-twiddlers, and singer-songwriters re-assemble the Scottish post-rock champs' most recent studio album, the excellent
Hardcore Will Never Die, But You Will
, mostly with shitty bonus-feature-styled results. Klad Hest gets major points for naming his "Rano Pano" remix "Mogwai Is My Dick," but the track itself adds up to little more than sterile 8-bit Nintendo synth buzz and frenetic drum loops. Xander Harris's dead-end version of "How To Be a Werewolf" never even feigns urgency, milking a two-note bass loop over faded synth fuzz and corny programmed cymbals for what feels like a merciless eternity. Meanwhile, Cylob removes the busy orchestral grandeur of "White Noise" but amplifies the original's core melody with a sleepy vocoder — a promising start that ultimately derails into remix-y repetition. Sandwiched between are three breathtaking moments of clarity: extreme-metal heavyweight Justin K. Broadrick "re-shapes" "George Square Thatcher Death Party" into a dreamy synth-pop vocoder lullaby; Robert Hampson's 13-minute "La Mort Blanche" is, weirdly enough, the most economical track here, blending artful, Eno-styled ambience with a bass-driven dream-pop coda. And wait — what's this? A remix with an original thought? RM Hubbert's "Mexican Grand Prix" supplants Mogwai's electronic kraut-rock propulsion with organic intimacy via spiraling classical guitar chords. Still, all in all,
feels more "deleted scene" than "director's cut."
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@ Yellow Peril Gallery
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