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CD Reviews
Future of the Left | Polymers Are Forever
Xtra Mile (2011)
By
ZETH LUNDY
|
January 17, 2012
Future of the Left | Polymers Are Forever
" alt="photo of 'Future of the Left | Polymers Are Forever'">
3.0
Stars
Since we last heard from Future of the Left, Cardiff's greatest non-furry export lost founding member Kelson Mathias and gained two new ones. Andy Falkous and Jack Egglestone, ex-Mclusky and no strangers to internal band disintegration, soldier on like it ain't no thang — to my ears, their wail-and-bash raison d'etre continues to bring more intense, absurd listening pleasure than any other noise band on the planet. On this six-song EP, a teaser for the band's forthcoming third full-length,
The Plot Against Common Sense
, FOTL sound even more wiry and razor-like than when they were a trio. The breathlessness is still there, but it's aerodynamically designed. Check out the barreling "With Apologies to Emily Pankhurst," with its whining Farfisa organ cutting a taut line through Falkous's fevered yawp. "Destroywhitchurch.com" and "My Wife is Unhappy" are full-tilt but with restraint — the latter even tosses some melodic trumpet into the mix. Best of all is the title track, the sole song to make it onto the LP. Its strength, like the band's, lies in escalating repetition, patiently making a good thing last longer. And get louder.
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KT Tunstall | Tiger Suit
The KT Tunstall of Tiger Suit is tougher, louder, and more electronically endowed than the KT Tunstall of its poppy predecessor, 2007's Drastic Fantastic , and Eye to the Telescope three years before that.
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The recent news that British electronic act Faithless have called it a day no doubt left dejected ravers reaching for extra MDMA to stave off the tears.
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Anyone with a passing knowledge of Emmylou Harris will recognize that "The Road," the opening track on Hard Bargain, is about Gram Parsons and the relationship that kicked off her career 40 years ago.
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Seriously: you'll probably refuse to believe me when I say that a one-time Bond villainess is behind this near-masterpiece, a collection of way-heavy grooves packed with wit, wisdom, and ballsier-than-ballsy vocal takes.
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Deploying the magic touch of indie producer-superhero John Congleton, these five musicians have never sounded more like a rock band, and these 12 spacious, dreamy excursions benefit from the added muscle.
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The Good Natured | Skeleton
The seven-song Skeleton EP is a combination of two previous import EPs, sounding already like an immediate best-of, compiling six Good Natured studio tracks and a (throwaway) remix.
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The first thing you'll notice about Mark Kozelek's fifth LP as Sun Kil Moon are song titles that would give Morrissey a boner.
THE FIGGS | THE DAY GRAVITY STOPPED
| May 15, 2012
These days Mike Gent, Pete Donnelly, and Pete Hayes are involved in enough extracurricular activities (Graham Parker, NRBQ, countless side/session-men gigs) that you could hardly blame them if they closed their two decades-plus Figgs chapter.
BILLY BRAGG + WILCO | MERMAID AVENUE: THE COMPLETE SESSIONS
| May 01, 2012
In 1998, and again in 2000, English singer-songwriter Billy Bragg teamed up with Wilco— not yet on their post-Americana trip — to put unreleased Woody Guthrie lyrics to music.
RUFUS WAINWRIGHT | OUT OF THE GAME
| April 24, 2012
Out of the Game is being billed as the most "pop" album of Rufus Wainwright's career, which is to say that it dismisses many of his trademark classical and/or stagey affinities.
THE DANDY WARHOLS | THIS MACHINE
| April 17, 2012
The title of the Dandy Warhols' eighth record may be a Woody Guthrie allusion, but don't fret — the closest the Portland, Oregon, band get to politics here is a cover of Merle Travis's "16 Tons."
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ZETH LUNDY
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