The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

Review: The Canyon

The scenery looks nice at least
By PETER KEOUGH  |  October 30, 2009
2.0 2.0 Stars

 

The Canyon attests to how a first-rate character actor can elevate a poor film to the ranks of the mediocre. Will Patton’s Henry is an ornery trail guide with a dirty leer, curmudgeonly wisecracks, a whiskey bottle up his sleeve, a Bowie knife on his belt, and a story for every scar.

The usual clichés, in other words, but Patton has his grimy fingerprints all over every scene he’s in. His clients are Lori (Yvonne Strahovski) and Henry (Eion Bailey), a pair of charmless Chicago newlyweds. Henry wants to spend their honeymoon on the back of a mule in the Grand Canyon; Lori, who’s not so sure, serves as the nagging voice of reason.

And so they descend into the parched, picturesque depths, where even Patton is helpless in the face of lines like “Mother Nature is cruel — one way or another, she will have her way!” First-time director Richard Harrah, it seems, can’t get over how gorgeous the scenery is — this thriller is even edited like a slideshow.

Related: Review: Wendy and Lucy, Review: Princess Kaiulani, Review: Frozen, More more >
  Topics: Reviews , Entertainment, Movies, Will Patton,  More more >
| More

[ 02/16 ]   Third Annual Providence Children's Film Festival  @ Cable Car Cinema
[ 02/16 ]   Mary Poppins  @ Providence Performing Arts Center
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group