The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

A Christmas Tale

A twisted Christmas stocking
By PETER KEOUGH  |  December 9, 2008
2.5 2.5 Stars

ShortTake_insideChristmasTa.jpg


Maybe Charles, who died of leukemia three decades ago, at the age of six, knew what he was doing; he's the only member of the Vuillard family not suffering from an existential or physical malignancy. His death, at any rate, has given the rest of the family an excuse to be unhappy and hateful.

Anarchic Henri (Mathieu Amalric) bears the heaviest burden; born after Charles, he's been rejected by his mother, Junon (Catherine Deneuve), and his older sister, Elizabeth (Anne Consigny), whose teenage son Paul (Émile Berling) keeps up the family tradition by going crazy. Youngest son Ivan (Melvil Poupaud) and dad Abel (Jean-Paul Roussillon) struggle to make peace, especially when a holiday reunion turns into a search for a marrow donor because Junon has also developed leukemia.

A twisted Christmas stocking overstuffed with whimsical misery and technical bravura, Arnaud Desplechin's Un conte de Noël could use more of the surreal hilarity of Wes Anderson'sThe Royal Tenenbaums.

French | 152 minutes | Kendall Square

Related: Review: The Girl on the Train, Review: 44 Inch Chest, Review: Dear John, More more >
  Topics: Reviews , Health and Fitness, Medicine, Catherine Deneuve,  More more >
| More

[ 02/18 ]   20th Annual Cajun & Zydeco Mardi Gras Ball  @ Rhodes-On-the-Pawtuxet
[ 02/18 ]   A screening of Andy Warhol's Sleep  @ RK Projects + Magic Lantern Cinema
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group