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Review: Big Mommas: Like Father, Like Son
Reviews
What Just Happened
Half-baked insider parody
By
PETER KEOUGH
|
October 28, 2008
WHAT JUST HAPPENED
" alt="photo of 'WHAT JUST HAPPENED'">
2.0
Stars
Based on the Art Linson autobiography, this half-baked insider parody tries hard to be madcap. Burnt-out producer Ben (Robert De Niro) has problems: the director of his new movie has concocted a final scene in which the hero — played by Sean Penn (played by Sean Penn) — gets killed and his dog has its brains blown out. After a disastrous test screening, Ben still can’t persuade the loony filmmaker to kill the killing of the dog. Another project stars Bruce Willis (played by Bruce Willis), who shows up on the set with a beard and a bad attitude. Then Ben finds a pink argyle sock under his ex-wife’s bed, the kind of hosiery that could be worn only by the screenwriter (who
isn’t
Stanley Tucci but
is
played by him), a man who earlier in the film pitched Ben a script in which Brad Pitt (played by no one; he never makes an appearance) plays a florist. “There isn’t a film there,” Ben tells the screenwriter. Sounds like
What Just Happened
.
107 minutes | Boston Common + Fenway + Fresh Pond + Chestnut Hill + Suburbs
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ARTICLES BY PETER KEOUGH
REVIEW: CORIOLANUS
| February 16, 2012
In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
REVIEW: SAFE HOUSE
| February 15, 2012
Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
REVIEW: THE SECRET WORLD OF ARRIETTY
| February 15, 2012
The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
REVIEW: RAMPART
| February 15, 2012
The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY
| February 10, 2012
The films in this program contain some of the most powerful images to be seen on the screen this year.
See all articles by:
PETER KEOUGH
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