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Review: Big Mommas: Like Father, Like Son
Reviews
Baby Mama
Largely laugh-barren
By
ALICIA POTTER
|
April 23, 2008
BABY MAMA
" alt="photo of 'BABY MAMA'">
1.0
Stars
BABY MAMA: A string of predictable, largely laugh-barren scenarios.
Not even
SNL
’s whipsmart Tina Fey and Amy Poehler can save writer/director Michael McCuller’s pregnancy comedy from its fate as another condescending, self-congratulatory fantasy of maternal bliss. Fey’s uptight single exec has a wonky womb, so she pays a white-trash money grubber (Poehler) to bear her child. Shortly after the positive pee test, the surrogate moves in — it’s
The Odd Couple
with surging estrogen. Can a wacky makeover be far behind? Unfortunately no — ditto the string of predictable, largely laugh-barren scenarios that exploit racial and class stereotypes. Only Steve Martin as a ponytailed yogi/mogul and Sigourney Weaver as the startlingly fertile head of the surrogacy agency wield any satirical bite. Like its preggo predecessors
Juno
and
Knocked Up
, this disappointment attests that, no matter what the mother’s circumstances, babies soften our hardest edges — in this case, the comic ones too.
96 minutes | Boston Common + Fenway + Fresh Pond + Circle + suburbs
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[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY ALICIA POTTER
REVIEW: DECLARATION OF WAR
| February 16, 2012
A baby with a brain tumor is no laughing matter.
REVIEW: YOUNG ADULT
| December 13, 2011
A baby, a high school, and esoteric pop culture references once again figure prominently — albeit less glibly — in director Jason Reitman and screenwriter Diablo Cody's first re-teaming since Juno.
REVIEW: A DOLPHIN TALE
| September 20, 2011
Winter the dolphin gamely plays herself in this loose re-telling of her fight for survival after a crab trap mangles her tail.
REVIEW: AFRICAN CATS
| April 25, 2011
To their credit, directors Alastair Fothergill and Keith Scholey don't cut away from a downed gazelle or a hippo mid evisceration.
REVIEW: LEAVING
| January 11, 2011
Kristin Scott Thomas doffs her native language, a recent tendency toward shrewishness, and a couple of sundresses to play an elegant South-of-France housewife hot for an ex-con builder.
See all articles by:
ALICIA POTTER
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