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Review: Big Mommas: Like Father, Like Son
Reviews
Horton Hears a Who!
Good-natured, egalitarian, and mildly stupid
By
JASON O'BRYAN
|
March 12, 2008
HORTON HEARS A WHO!
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2.5
Stars
HORTON HEARS A WHO! Are you up for Jim Carrey as a cartoon elephant doing funny voices?
Good-natured, egalitarian, and mildly stupid, Horton the Elephant (voiced by Jim Carrey) tries to keep the microscopic Who-ville safe from alpha-mom Sour Kangaroo (Carol Burnett) and a host of sadistic monkeys who refuse to believe the tiny town exists in this adaptation of the 1954 Dr. Seuss classic. Loyalists will enjoy the faithful Who-ville, and the choice — by directors Steve Martino and Jimmy Hayward — of animation rather than live action is the right one, but the attempts to expand the story only make it longer. Although it scatters a few jokes for adults, some of them earnestly funny,
Horton
lacks the wit and layered cleverness of the good animated films of recent years. It’s a nice lesson, and it’s hard to imagine kids wouldn’t like it, but aside from a terrific Will Arnett as the evil eagle Vlad, the movie doesn’t offer much for those unmoved by a cartoon elephant doing funny voices.
88 minutes | Boston Common + Fenway + Fresh Pond + Chestnut Hill + West Newton + suburbs
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If Mad Men has taught us anything, it's that we shouldn't go to a 1960s advertising executive for health advice.
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So, I heard that you want to trade in your skis for a snowboard this year. Maybe it'll be fun? Well, maybe, but there are a few things I'd like you to consider before you make that leap.
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Bleeding admiration for the David Foster Wallace stories on which it’s based, John Krasinski’s directorial debut follows Sara Quinn (Julianne Nicholson) as she interviews men about their sexual proclivities for her master’s thesis.
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| April 28, 2009
Arrested for a crime she didn't commit, Dee Roberts is enlisted by an ACLU lawyer (Tim Blake Nelson) to sue the county for racist intent and stop the DA from what is continually referred to as "terrorizing the black community."
REVIEW: LYMELIFE
| April 21, 2009
Like many of the bastard offspring of American Beauty and Little Miss Sunshine , Derick Martini's quirky, frustrating directorial debut seems to believe that a dystopian view of suburbia will suffice for a film
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JASON OBRYAN
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