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Review: Big Mommas: Like Father, Like Son
Reviews
Aquamarine
Mermaid fantasy has nothing to do with Splash
By
BRETT MICHEL
|
March 1, 2006
AQUAMARINE
" alt="photo of 'AQUAMARINE'">
2.0
Stars
Daryl Hannah can breathe easy — this mermaid tale based on Alice Hoffman’s book will do little to erase memories of Ron Howard’s
Splash
. Nevertheless, tween girls too young to recall 1984 (either the year or the Orwell novel) should be swept along by the relaxed performances of Emma Roberts (Julia’s niece) and Foxborough’s Joanna “JoJo” Levesque as 13-year-old best friends Claire and Hailey, who discover something very fishy in their beach club’s swimming pool – a spirited water nymph (Sara Paxton) who’s looking for love. “Aqua” thinks she’s found it in lifeguard Raymond (Jake McDorman), but she faces competition (“All the girls are after him — even a few boys”) that’ll include local beauty Cecilia (Arielle Kebbel). Director Elizabeth Allen gets a lot from her largely female cast, but they’re landlocked by a screenplay that loses much of the magic of Hoffman’s book. Will love conquer all? Do fish smell?
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Talent pool
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Tinkling symbols
That Dan Brown’s The Da Vinci Code has become a worldwide phenomenon attests to the worldwide yearning for a better truth than the one we have.
Talent pool
Lady in the Water is a fairy tale, so everything about it requires suspension of disbelief. Story ville: M. Night Shyamalan’s Lady . By Gary Susman
The goggles do nothing
On July 25th, The Simpsons Movie will hit theatres.
Interview: Jamie Foxx
"Until you get a chance to define another side of your career, people will always say, 'You're doing it as a hobby.' "
Heaven and Hell
Tom Hanks is back as Harvard symbology professor Robert Langdon, but the filmmakers have ditched the long hair and allowed Hanks to look like an early-fiftysomething (which he is) instead of The Da Vinci Code 's 40ish hipster wanna-be.
Profit without honor
This article originally appeared in the December 11, 1987 issue of the Boston Phoenix .
The Life before Her Eyes
Shame on all involved.
Definitely, Maybe
You’d have to be a pretty dumb kid not to recognize your own mother, but this is a pretty dumb movie.
Charlie Wilson's War
The supporting players are splendid.
Brooklyn Rules
Marty should whack this guy with his new shiny Oscar.
Fanboys
Bonus points to director Kyle Newman for upping Kristen Bell's already solid geek cred (and for squeezing her into Princess Leia's gold bikini).
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[
02/18
]
20th Annual Cajun & Zydeco Mardi Gras Ball
@ Rhodes-On-the-Pawtuxet
[
02/18
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/18
]
A screening of Andy Warhol's Sleep
@ RK Projects + Magic Lantern Cinema
More Information
Watch the trailer for
Aquamarine
(QuickTime)
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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