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Review: Big Mommas: Like Father, Like Son
Reviews
We Own the Night
Gritty, macho, and lacking in grace
By
BRETT MICHEL
|
October 10, 2007
WE OWN THE NIGHT
" alt="photo of 'WE OWN THE NIGHT'">
2.5
Stars
SEXING THINGS UP: Eva Mendes adds femininity to James Gray's man-centric movie.
As the coked-up manager of the popular ’80s-era Brighton Beach nightclub El Caribe, Bobby Green (Joaquin Phoenix) —
né
Grusinsky — has chosen to hide his Polish-American identity from his employers. Why? Perhaps because James Gray’s film is in dire need of plausibility, given that Bobby’s father, Burt (Robert Duvall), is the deputy chief of police and his brother, Joseph (Mark Wahlberg), leads the task force that’s trying to nail the very same Russian crime syndicate that uses El Caribe as a front for its drug operations. Gray tread this territory of fathers, sons, cops, and mobsters in 1994’s
Little Odessa
and 2000’s
The Yards
(also starring Phoenix and Wahlberg), and the over-familiarity compromises his
French Connection
–filtered vision. Eva Mendes (aided by her nipples) sexes things up as Bobby’s girlfriend, but this is a man’s movie: gritty, macho, and lacking in grace.
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Fateful Departed
No wonder the cops and the feds can’t catch Whitey Bulger: they’re too busy beating the shit out of each other. Watch the trailer for The Departed (QuickTime) Whitey wash: Scorsese, Damon, and DiCaprio honor The Departed. By Brett Michel
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When it comes to immortality and the afterlife, movies tend to get sticky.
Ghost of future past
When film actor Keir Dullea turned up in a blink-and-you’ll-miss-it cameo as the father of Angelina Jolie’s character in Robert De Niro’s The Good Shepherd , I was not only surprised to see him again onscreen, but amazed that he wasn’t dead.
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In what's bruited to be his last screen appearance, Joaquin Phoenix goes Marlon Brando mumbly.
Spring loaded
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Ghost Rider
If Nicolas Cage weren’t a goofball with a hunky physique and droll wit, this Marvel-comic-to-big-screen adaptation would have no torque at all.
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Disney scored with The Rookie , its dish on a 40-year-old pitcher getting his first big-league go, so why not the unlikely football career of a 30-year-old bartender from Philadelphia? Watch the trailer for Invincible (QuickTime)
Fractured fairy tales
Times are tough when the Dream Factory has a better grip on what’s going on than the people in Washington.
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ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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