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Review: Abraham Lincoln: Vampire Hunter
The legendary playwright is better
August 7, 2007
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MOLIÈRE: Where is the biting satire?
There is a burgeoning trend whereby the work of a legendary writer is attributed to some spurious personal experience, as if art needed a source to spring from other than the writer’s mind. Director Laurent Tirard trots out this benighted premise, taking on no less an artist than Molière and his most famous works,
. That the result is less fun than actually watching
is not surprising. What is surprising is how little humor Tirard and his lead, the usually charismatic Romain Duris, wrest from their tale of hidden identities, star-crossed lovers, and priggish bores. Duris plays Molière, who, pre-fame and bankrupt, is taken in by an idiot landowner (Fabrice Luchini) who needs his help in winning the beautiful and witty Célimène (Ludivine Sagnier). The plot mirrors that of Molière’s plays; what’s missing is the biting satire that got him in so much trouble back then and makes his work worth watching 350 years later.
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ARTICLES BY BROOKE HOLGERSON
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| January 20, 2009
If you find the sight of a grown man rolling around the mall on a Segway hilarious, this is the movie for you.
TYLER PERRY’S THE FAMILY THAT PREYS
| September 17, 2008
The prolific Tyler Perry is at it again, offering subpar entertainment to audiences so starved for sustenance they’ll eat his cheese.
| August 20, 2008
Rainn Wilson of The Office gets promoted to the big screen with this anemic comedy directed by The Full Monty helmer Peter Cattaneo.
KIT KITTREDGE: AN AMERICAN GIRL
| July 01, 2008
Although her film has as much visual flair as an after-school special, director Patricia Rozema gives an appealing attention to period detail, and Breslin is sweet in her first starring role.
| May 21, 2008
Trier captures the moment when the recklessness of youth gives way to adult responsibilities, and the way childhood friendships can fall apart when different paths are taken.
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