The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Blogs  |  In Pictures
 

Better transformers

MIFF 10 honors cinema’s past and future
By CHRISTOPHER GRAY  |  July 11, 2007
inside_film_killerofsheep2
Killer of Sheep

Maine film buffs have it tough. We travel an hour to Portsmouth to see the year’s most popular foreign film — South Korean monster movie The Host — because our theaters are busy processing a backlog of staid, anonymous foreign films. We wait upwards of five months for films by our greatest auteurs to arrive at our arthouses; they’re released on DVD weeks later. But we travel, we wait, and every summer Waterville’s Maine International Film Festival puts us briefly, tantalizingly ahead of the curve with features cobbled from both local filmmakers and the world’s most prestigious festivals.

Last year, MIFF 9 hosted the regional premieres for some of 2006’s most-praised films: the Oscar-nominated Little Miss Sunshine and Half Nelson, and Kelly Reichart’s sublime Old Joy. At MIFF 10, actor/director Bud Cort — beloved as Harold and Maude’s titular pyromaniac — joins Terrence Malick and Peter Fonda as Mid-Life Achievement Award honorees. He’ll be in Waterville to receive his award at a July 21 screening of the subversive 1972 comedy, part of a career retrospective. Also receiving oeuvre treatment are Jacques Rivette — the most overlooked of the French New Wave auteurs — and Taiwanese festival-circuit favorite Lin Cheng-Sheng, who will be honored at a reception on July 14.

MIFF screenings are held from July 13 to 22 at the 900-seat Waterville Opera House, Railroad Square Cinema, and the Maine Film Office Theater. Advance tickets ($8-10) and multi-show passes ($50-150) are available at the festival Web site, www.miff.org. Consult film listings this week and next for a complete rundown of the schedule; for now, here’s a pre-emptive top ten list of films you shouldn’t miss.

10)The Ten — David Wain’s first film since the summer-camp cult comedy Wet Hot American Summer is a mixed bag of ten interconnected short films, each based around one of the Ten Commandments. Worthwhile for a great cast (Winona Ryder, Paul Rudd) and a few classic bits, including one about a doctor who kills a patient and defends it — in court — as “a goof.”

9) C.R.A.Z.Y. — A smash in its native Quebec, the French-language coming-out dramedy about a boy coming to terms with his sexuality and homophobic family in the 1960s/’70s has been widely praised for its soundtrack, buoyancy, and eye for period detail.

8) Noise— Australian director Matthew Saville’s debut feature, a psychological drama about a cop with tinnitus (represented accurately in the film’s sound design) who counsels witnesses after a bloody public massacre.

7) Four Minutes — A well-executed hokey setup, Chris Kraus’s film is about a pianist (Monica Bleibtreu, of the Oscar-winning The Lives of Others) who provides lessons to a sullen inmate in a woman’s prison. Winner of German Oscars for Outstanding Feature and Best Actress last year.

6) Celine and Julie Go Boating — At 192 minutes, this 1974 film is one of the longest of Jacques Rivette’s notoriously “patient” features, but it’s also considered his best. The lighthearted but abstract presentation of two women’s friendship is considered a forebear to the dream logic on display in David Lynch’s recent work.

5) Exiled— Along with South Korea’s Park Chan-wook (of the Virginia Tech controversy-magnet Oldboy), Hong Kong’s Johnny To is Asia’s pre-eminent maker of ultra-violent, hipper-than-thou action flicks. His latest is an homage to the original bloodbath classic, Sam Peckinpah’s The Wild Bunch.

1  |  2  |   next >
  Topics: Features , Celebrity News, Entertainment, Movies,  More more >
| More


[ 07/24 ]   "Graphic Design: Now in Production,"  @ RISD Museum
ARTICLES BY CHRISTOPHER GRAY
Share this entry with Delicious
  •   GIRLS (AND BOYS) ON FILM  |  July 11, 2014
    The Maine International Film Festival, now in its 17th year in Waterville, remains one of the region’s more ambitious cultural institutions, less bound by a singular ambition than a desire to convey the breadth and depth of cinema’s past and present. (This, and a healthy dose of music and human-interest documentaries.) On that account, MIFF ’14 is an impressive achievement, offering area filmgoers its best program in years. With so much to survey, let’s make haste with the recommendations. (Particularly emphatic suggestions are marked in bold print.)  
  •   AMERICAN VALUES  |  June 11, 2014
    The Immigrant  seamlessly folds elements of New York history and the American promise into a story about the varieties of captivity and loyalty.
  •   CHARACTER IS POLITICAL  |  April 10, 2014
    Kelly Reichardt, one of the most admired and resourceful voices in American independent cinema, appears at the Portland Museum of Art Friday night to participate in a weekend-long retrospective of her three most recent films.
  •   LET'S TALK ABOUT SEX  |  April 09, 2014
    Throughout its two volumes and four hours of explicit sexuality, masochism, philosophical debate, and self-analysis, Nymphomaniac remains the steadfast vision of a director talking to himself, and assuming you’ll be interested enough in him to listen and pay close attention.
  •   ASHES AND DIORAMAS  |  March 28, 2014
    History, rather than ennui, is the incursion that motivates this, his most antic and most somber work.

 See all articles by: CHRISTOPHER GRAY



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2014 The Phoenix Media/Communications Group