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Tommy Neblett

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Blood, bone, and mirrors

Prometheus at the ICA
At the beginning of Between Blood & Bone , a man and a woman stand at opposite sides of an empty space. A few minutes or a lifetime later, they're curled together on the floor, wrapped in the tightest possible embrace.
By MARCIA B. SIEGEL  |  May 19, 2009
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What's left behind

Tap Olé at the Regent, Rachid Ouramdane at the ICA, Prometheus at Boston Conservatory
Tap Olé is less a new-fangled bicultural fusion than a return to tap dancing’s foundational swingtime.
By DEBRA CASH  |  May 21, 2008
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Ebb and flow

Dance: 2007 in review
The good news is that we still have our own major company, Boston Ballet, and it made its first international tour — to Spain — in more than a decade.
By JEFFREY GANTZ  |  December 17, 2007
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Busy busy

Something for everyone
“If you pulled the cord and the chute didn’t open, how would you dance on the way down?”
By DEBRA CASH  |  September 12, 2007
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Grief work

Prometheus's 'Devil's Wedding'
From dance to dance, they shared a movement vocabulary that suggested pain, struggle, solace, and submission to unseen but unbreakable constraints.
By MARCIA B. SIEGEL  |  May 29, 2007
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Contact points

Prometheus’s spring revels
Diane Arvanites-Noya and Tommy Neblett’s new duet seemed to be a philosophical model for the other new works on the program.
By MARCIA B. SIEGEL  |  June 02, 2006

[ 02/17 ]   Festival Ballet Providence presents UP CLOSE ON HOPE  @ Black Box Theater
[ 02/17 ]   "Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings  @ Bert Gallery
[ 02/17 ]   Mary Poppins  @ Providence Performing Arts Center
BLOGS
Critiquing the Buffett Rule
Not For Nothing  |  February 17, 2012 at 4:55 PM
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February 16, 2012 at 2:13 PM
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February 16, 2012 at 12:06 PM
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February 15, 2012 at 2:33 PM
Andre's Posse is Back
February 14, 2012 at 12:47 PM
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