Ludwig van Beethoven

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Sparring with the Ultimate

Boston Ballet in The Four Temperaments, Apollo, and Theme and Variations
There’s never been a more brilliant exemplar of the ballet art than George Balanchine.
By MARICA B. SIEGEL | May 11, 2010

Opera Boston’s Offenbach, Thomas Quasthoff, the BSO, Boston Baroque, and BU’s Sondheim
Leaving the Cutler Majestic after the opening night of Opera Boston’s latest Offenbach, La Grande-Duchesse de Gérolstein , you could see the smiling faces of an audience that had had a good time.
By LLOYD SCHWARTZ | May 17, 2010

Play by play: April 16, 2010

Theater listings for the week of April 16, 2010
Theater listings for the week of April 16, 2010
By JEFFREY GANTZ | April 15, 2010

Portraits of artists

Opus at New Rep; From Orchids to Octopi at Central Square
Yikes! Is this really what it’s like behind the scenes with, say, the Emerson String Quartet?
By CAROLYN CLAY | April 06, 2010

Midnight ramblers

Rock legend Peter Wolf serves dinner and verse to the Phoenix ’s poet .
In rock ’n’ roll, it was possible to live in Harvard Square, be a musician — a local musician — and be able to pay your rent and find restaurants where you could eat and buy food and survive, and feel that there was a sense of . . . future, with hope and opportunity.
By LLOYD SCHWARTZ | April 08, 2010

What's new

BMOP, and the Christian Wolff festival
The timely highlight of Gil Rose’s latest BMOP (Boston Modern Orchestra Project) concert, “Strings Attached,” was a new/old piece (2004, revised 2009) for two string orchestras by Scott Wheeler now called Crazy Weather — the new title taken from a John Ashbery poem that begins, “It’s this crazy weather we’ve been having.”
By LLOYD SCHWARTZ | March 23, 2010

Bach beat

Lions and lambs
Composers John Harbison and Peter Lieberson are big presences this spring.
By LLOYD SCHWARTZ | March 08, 2010

Snakebite

Opera Boston presents the world premiere of Madame White Snake; plus the Leipzig Gewandhaus and Boston Philharmonic
"I can no longer stand to let this travesty continue," sings a character in Madame White Snake , the new opera based on an ancient Chinese legend co-commissioned by Opera Boston, which has just presented its world premiere. I'm afraid I shared the sentiment at last Friday's performance.
By LLOYD SCHWARTZ | March 03, 2010

Heaven!

The BSO and Boston Baroque at their best
Martin Pearlman's edition of Monteverdi's Vespro della Beate Vergine, with inserted antiphons to suggest an actual service, remains a masterpiece of historical research and inspired guesswork.
By LLOYD SCHWARTZ | February 25, 2010

Double trouble

BLO's The Turn of the S crew, Levine's Carter and Simon Boccanegra, Teatro Lirico, the Berlin Philharmonic Wind Quintet, and more
Boston Lyric Opera's debut Opera Annex production was so good in so many ways, it's painful that one bad idea just about sank it.
By LLOYD SCHWARTZ | February 09, 2010

Stopping time

The BSO, Peter Maxwell Davies, BCMS, BMOP, Mark Morris, and Christian Tetzlaff
BSO music director James Levine has returned to Symphony Hall for the first time since October, when back surgery put him out of commission.
By LLOYD SCHWARTZ | February 02, 2010

Let's rock

The BSO, the Cantata Singers, Discovery Ensemble, and BCMS
WGBH radio has ended its 58-year tradition of live Friday-afternoon BSO broadcasts, and it doesn't seem that public outcry is going to change that.
By LLOYD SCHWARTZ | January 25, 2010

Review: Emanuel Ax at Jordan Hall

Emanuel Ax, live at Jordan Hall on January 8, 2010
I don't want to imply that everybody who's anybody was at Jordan Hall Friday night to hear pianist Emanuel Ax's Celebrity Series recital — but that was Yo-Yo Ma sitting two rows in front of me.
By JEFFREY GANTZ | January 13, 2010

Review: In Search of Beethoven

Deaf jam
Phil Grabsky's exhaustive documentary doesn't exactly dispel any stereotypes about Beethoven's being a shaggy genius prone to rages.
By SHAULA CLARK | January 06, 2010

John Harbison plus 10

Picking from a packed concert schedule
Classical music in Boston is so rich, having to pick 10 special events for this winter preview is more like one-tenth of the performances I'm actually looking forward to.
By LLOYD SCHWARTZ | January 05, 2010

2009: The year in Classical

Beating the quease
This was a queasy year for classical music.
By LLOYD SCHWARTZ | January 04, 2010

Crossword: ''Initial reaction''

Letters, not words
Letters, not words
By MATT JONES | November 25, 2009

Creationists

Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
By LLOYD SCHWARTZ | November 18, 2009

Almost

BLO's Carmen, the BSO's Beethoven, Emmanuel Music's Haydn and Schoenberg
The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling if not spine-tingling performance.
By LLOYD SCHWARTZ | November 12, 2009

Crossword: ''Uh-oh, it's magic''

Your standard cheap trick
Your standard cheap trick
By MATT JONES | November 04, 2009

Deal with It

Revisiting the nightmares of a four-hour, made-for-TV Stephen King miniseries
When I was seven, I had a winter coat with flashes of neon so bright they glowed in the dark.
By CHRISTOPHER GRAY | October 28, 2009

Blessings: mixed and otherwise

Boston Baroque’s Amadigi; Opera Boston’s Tancredi; the BSO’s Beethoven; the Borromeo’s Bartók; Brahms from BCMS and BSOCP
By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
By LLOYD SCHWARTZ | October 28, 2009

He is a real composer

And don't you try to tell Joshua Newton otherwise
Joshua Newton wants you to know he doesn't write classical music.
By EMILY PARKHURST | October 07, 2009

The roar of the crowd

‘Opening Night at Symphony,’ Russell Sherman, the Discovery Ensemble, Boston Musica Viva, and the Bostonians
I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.
By LLOYD SCHWARTZ | October 13, 2009

Classical inheritance

Two fixtures hand over the reins to a younger generation
A teacher told me years ago that someday "you young people will inherit classical music. Then you can do with it what you want." And so I've been waiting.
By EMILY PARKHURST | September 30, 2009

Baroque and beyond

Betting on the best this fall
Ten-best lists usually come at the end of the season, but this year the Phoenix has asked its critics to provide a calendar of 10 events that, at least on paper, might wind up on an end-of-season Top 10. Boston, in case you didn't know it, is a great city for classical music, so it's not easy to keep the list short. But here goes.
By LLOYD SCHWARTZ | September 14, 2009

Providence Fall Preview Listings 2009

Music, theater, art, festivals and more in the coming months
A page of listings for local music, theater, art, festivals and more this fall.
By PHOENIX STAFF | September 17, 2009

Midsummer madness

Mark Morris, Yo-Yo Ma, and the Festival of Contemporary Music at Tanglewood, Mozart in Boston, Meyerbeer at Bard
After a relatively quiet summer, I saw Boston Midsummer Opera's Cosí fan tutte at BU's Tsai Center. Then I raced out to Tanglewood for a Mark Morris program accompanied by Yo-Yo Ma and Emanuel Ax, a BSO matinee with Ma, and all six concerts in the annual Festival of Contemporary Music.
By LLOYD SCHWARTZ | September 29, 2009

Review: Lorna's Silence

A work of near-greatness
Are there many better young actors currently working in film than Jérémie Renier?
By BRETT MICHEL | August 13, 2009

Trail of tunes

Music al fresco at summer fests
The best summer music festivals take something from the season: the smell of the surf, the sight of the mountains, fireworks, lawn seating — or, at least, fried dough.
By CLEA SIMON | June 09, 2009