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Latest Articles
Carly Glovinski dupes eyes, objects at June Fitz at MECA
Double-take
If you copied the entirety of Don Quixote by hand, you'd come to learn the story, but if you acted out the entire novel in charades, you'd definitely know it by heart.
By
NICHOLAS SCHROEDER
| July 27, 2011
Review: TBTS' Man of La Mancha is ever-optimistic
The dream is alive
The musical Man of La Mancha certainly packs in a lot.
By
BILL RODRIGUEZ
| June 28, 2011
Cool drink on a hot day
With Table Manners, Gloucester Stage gives Ayckbourn his due
Alan Ayckbourn has been often dismissed as the British Neil Simon. He's also been hailed as a playwright of such acute insight that, if you look beyond the laughs, he deserves to be mentioned in the same critical breath as Harold Pinter.
By
ED SIEGEL
| July 05, 2010
Second sight
Boston Ballet reprises Jiří Kylián’s Black & White
May in Boston has always been Storybook Ballet Month, as Boston Ballet finished off its season with Swan Lake or Sleeping Beauty or Don Quixote , something classical and highbrow and reassuring. That, after all, is what Boston audiences want, right?
By
JEFFREY GANTZ
| May 28, 2010
Review: Jordi Savall and Hespèrion XXI
“Jerusalem: The City of the Two Peaces,” live At Sanders Theatre, May 5, 2010
"You are here to kneel/Where prayer has been valid.” “Here” for T.S. Eliot was a church in Huntingdonshire, but it’s hard to imagine a place where prayer has been more valid than Jerusalem, or a place where more people have died for their faith.
By
JEFFREY GANTZ
| May 06, 2010
Heaven!
The BSO and Boston Baroque at their best
Martin Pearlman's edition of Monteverdi's Vespro della Beate Vergine, with inserted antiphons to suggest an actual service, remains a masterpiece of historical research and inspired guesswork.
By
LLOYD SCHWARTZ
| February 25, 2010
Review: The Imaginarium of Doctor Parnassus
Ledger-demain: Gilliam leaves nothing to the Imaginarium
Few filmmakers have suffered from the life-imitates-art phenomenon as has Terry Gilliam.
By
PETER KEOUGH
| January 11, 2010
Both ears and the tail for this Carmen
Boston Ballet's 'World Passions'
"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
By
JEFFREY GANTZ
| October 28, 2009
Play by Play: March 13, 2009
Plays A to Z
A compilation of theater productions in and around Boston
By
CAROLYN CLAY
| March 10, 2009
Adam and Eve
It's boy-meets-girl at New York City Ballet
A day at New York City Ballet that starts with a matinee of Coppélia and ends with a Balanchine evening might seem to offer merely the contrast between classic and modern, old and new.
By
JEFFREY GANTZ
| January 13, 2009
Simple gifts
Jordi Savall & Hespèrion XXI, Sanders Theatre, October 25, 2008
Friday I watched more musicians than even Gustav Mahler used to ask for assemble on stage at Symphony Hall to perform the 10 minutes of Pierre Boulez’s Notations I-IV .
By
| November 03, 2008
Channeling Shakespeare
Cardenio at the ART; King John at ASP
Cardenio , an early-17th-century play in which Shakespeare may well have had a hand, has been MIA since its debut and will doubtless remain so.
By
CAROLYN CLAY
| May 19, 2008
The Shakespeare mystery
Everything (almost) you wanted to know about Cardenio but were afraid to ask
What Shakespeare wrote and what he didn’t — even without bringing the Earl of Oxford into it — is one of literature’s most enduring and enjoyable mysteries.
By
JEFFREY GANTZ
| May 07, 2008
Oppositions
The Kirov's Balanchine at City Center
The end of a three-week, thousands-of-miles-from-home season is never the right time to assess a dance company.
By
JEFFREY GANTZ
| January 30, 2009
Big in every way
‘El Greco to Velázquez’ at the MFA
Men in inky darkness. Men without women (save for the Blessed Virgin). Men in splendor, men in ecstasy, men without smiles. Men as saints but not as sinners.
By
JEFFREY GANTZ
| April 15, 2008
Get CLOSEr
Festival Ballet’s intimate showcase
Festival Ballet Providence’s “Up CLOSE, on HOPE” program is a stunning selection of short classical and contemporary ballet, performed with polish and passion.
By
JOHNETTE RODRIGUEZ
| March 12, 2008
The outsiders
None of Maine’s indy candidates can win a seat in the US Senate, but they will have a say in who does
Just a few months ago, the story-line of Maine’s 2008 US Senate race seemed inevitable.
By
DEIRDRE FULTON
| March 05, 2008
History tour
Zeitgeist’s compelling Kentucky Cycle; Double Edge’s Republic of Dreams
Whitewash has floated like a soap scum on the bloodbath of America’s past as told in the history books.
By
CAROLYN CLAY
| October 09, 2007
Impossible dreamer
The Lyric Stage resurrects Man of La Mancha
If it’s “The Impossible Dream” you’ve come for, you’ll hit paydirt.
By
IRIS FANGER
| September 12, 2007
The last Potter
What does the end mean for Harry’s strange Boston disciples?
The end is never easy, is it?
By
SHARON STEEL
| July 24, 2007
Heat waves
Summer reads to cool off with
“Summer joys are spoilt by use,” wrote John Keats, meaning the less you do between June and August, the better.
By
JOHN FREEMAN
| June 28, 2007
Not quite Nina
Ananiashvili and the State Ballet of Georgia look to find their footing
On hearing the opening notes of the Kronos Quartet composition and seeing the dancers lit in sunny yellow, I feared we were about to be subjected to one of those “up with people” ballets.
By
JANINE PARKER
| May 07, 2009
Dreaming and remembrance
Boston Ballet’s Midsummer, Boston Conservatory’s Dark Elegies
Two momentous revivals in town showed us how big the category of classical ballet really is.
By
MARCIA B. SIEGEL
| February 21, 2007
Round-trip Cruz
Pedro Almodóvar’s Volver
Volver may be a rich and moving film that celebrates the triumph of the feminine spirit, but it’s already best known as the movie in which writer/director Pedro Almodóvar fitted willowy leading lady Penélope Cruz with an ample prosthetic ass. Watch the trailer for Volver (QuickTime)
By
GARY SUSMAN
| February 20, 2007
Waved off
‘New Films from Europe’ at the HFA
Ah, Eurocinema, the blood and backbone of film culture as it grew from out of the Hollywood shadow in the post-war decades — the Godards, the Bergmans, the Antonionis, the bristling Hungarians, the mordant Poles, the café-dawdling French!
By
MICHAEL ATKINSON
| January 28, 2010
L’Allegro, fuss and feathers, and the ICA blues
A year in dance
This year we were looking forward to dance performances at the Barbara Lee Family Foundation Theater in the new ICA.
By
JEFFREY GANTZ
| December 20, 2006
Changing lives
The New England Conservatory’s Youth Philharmonic Orchestra visits Venezuela and Brazil
People who love the arts are fond of saying that art changes our lives. Slideshow: The New England Conservatory’s Youth Philharmonic Orchestra visits Venezuela and Brazil
By
LLOYD SCHWARTZ
| December 15, 2006
Stranger than Fiction
Submits to the temptations of clichés and bathos
What’s stranger than fiction? Some might say meta-fiction, the “avant-garde” genre that’s actually older than Don Quixote, in which a work of fiction self-consciously refers to its own artifice. Watch the trailer for Stranger than Fiction (QuickTime)
By
PETER KEOUGH
| November 10, 2006
Stairway to Paradise?
Boston Ballet's Gala performance
It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
By
JEFFREY GANTZ
| October 26, 2006
Impossible dream?
Rudolf Nureyev’s Don Quixote has yet to earn its knighthood
Don Quixote has been a watershed work for Boston Ballet.
By
JEFFREY GANTZ
| October 25, 2006
See more deals
view all
[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
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In Today's Phoenix: Nads!
Not For Nothing
| February 16, 2012 at 2:13 PM
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February 16, 2012 at 12:06 PM
Cybersecurity on the march
February 15, 2012 at 2:33 PM
Andre's Posse is Back
February 14, 2012 at 12:47 PM
Aw, Shucks
February 13, 2012 at 10:14 AM
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