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Christopher Price

Latest Articles

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Review: Theater Project's Pride and Prejudice stays authentically powerful

Classical strength
Jane Austen's classic 19th-century novel of manners and morals, Pride and Prejudice , has undergone a truly weird range of reinterpretations. But the classics also deserve a little unalloyed love.
By MEGAN GRUMBLING  |  February 01, 2011
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Catharsis + rebirth

Portland theater's losses and gains since 1999
My own backward gaze over the last decade of local theater only takes in the second half of it, so I've consulted a few veterans.
By MEGAN GRUMBLING  |  September 16, 2009
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Comic thunder

The Theater Project visits Niagara Falls
Niagara Falls is a great, looming presence in David Lindsay-Abaire's Wonder of the World , and the Theater Project delivers it, in the powerful white-noise rush of its crash, in ethereal shifting mists and haunting glacial-blue light, and in a rise of four tiered platforms hung with translucent, back-lit fringe.
By MEGAN GRUMBLING  |  July 22, 2009
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All in the timing

Acorn's Maine Playwrights Festival springs eternal
Acorn's Maine Playwrights Festival springs eternal
By MEGAN GRUMBLING  |  April 01, 2009
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Super-curious

A conversation with a Nobel-winning polymath: QED
A conversation with a Nobel-winning polymath: QED
By MEGAN GRUMBLING  |  February 11, 2009

In the shadows

Secrets + stories hit the boards in 2009
As we look into the new year, let's start with the most primal theatrical basics: stories.
By MEGAN GRUMBLING  |  December 31, 2008
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Tabula rasa

Biddeford's City Theater creates Fuddy Meers
Fuddy Meers , David Lindsay-Abaire’s madcap, not-for-the-prudish black comedy, is at Biddeford City Theater.
By MEGAN GRUMBLING  |  June 25, 2008
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Changing times

Revisiting 20th-century progressivism
The changes today's presidential candidates are talking about are modest in comparison with the radical leftist politics of the first half of the last century.
By MEGAN GRUMBLING  |  June 04, 2008
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Broken Glass

There are a few cracks in Biddeford City Theater's production
“The scene is memory,” Tennessee Williams writes in his opening notes to The Glass Menagerie, and then: “Memory takes a lot of poetic licence.”
By MEGAN GRUMBLING  |  October 17, 2007
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Pats' parity

Power plays
And, just like that, it’s fall. The days shorten. Crockpots come out of retirement. And the Patriots play the Jets on Sunday.
By MIKE MILIARD  |  September 05, 2007
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Spirit voices

Making the dead come back to life
“Miss Witherspoon” isn’t really her name.
By MEGAN GRUMBLING  |  March 21, 2007

[ 02/18 ]   20th Annual Cajun & Zydeco Mardi Gras Ball  @ Rhodes-On-the-Pawtuxet
[ 02/18 ]   "Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings  @ Bert Gallery
[ 02/18 ]   A screening of Andy Warhol's Sleep  @ RK Projects + Magic Lantern Cinema
BLOGS
Critiquing the Buffett Rule
Not For Nothing  |  February 17, 2012 at 4:55 PM
In Today's Phoenix: Nads!
February 16, 2012 at 2:13 PM
Malcolm X, in His Own Words
February 16, 2012 at 12:06 PM
Cybersecurity on the march
February 15, 2012 at 2:33 PM
Andre's Posse is Back
February 14, 2012 at 12:47 PM
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