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Latest Articles
Review: The Gamm's Torture is front-loaded
Rights and wrongs
Black humor sure is better than no humor at all. What do you do with the disproved defenses of torture besides get angry?
By
BILL RODRIGUEZ
| May 12, 2011
Review: Elemental's hit-and-miss 'Go.Go Plays'
Finding the funny
Elemental Theatre Collective's "Go.Go Plays" have been an imaginative grab bag of one-acts since 2007, and the fifth annual event is no exception.
By
BILL RODRIGUEZ
| February 08, 2011
Gamm's Mauritius gets a stamp of semi-approval
Unsuspended disbelief
The very idea of spinning a tale of suspense and high drama over stamp collecting is comical, so Theresa Rebeck's Mauritius is certainly funny. The Sandra Feinstein-Gamm Theatre is staging it through November 21, directed by Rachel Walshe.
By
BILL RODRIGUEZ
| October 27, 2010
Talking ’bout a revolution
The Gamm’s life-affirming Rock ’n’ Roll
It takes a theatrical genius like Tom Stoppard to come up with Rock ’n’ Roll, which merges the pulsing spirit of both until they feel like one. And it takes a theater of the caliber of the Gamm to make history feel like a Stones concert that becomes a political rally.
By
BILL RODRIGUEZ
| May 05, 2010
The torment within
The Gamm’s intense 4:48 Psychosis
In dramatic terms, it doesn't really matter whether the female protagonist of 4:48 Psychosis commits suicide at the end of the play.
By
BILL RODRIGUEZ
| January 20, 2010
Cries and whispers
The Gamm finds the balance in 4:48 Psychosis
Mental illness is a touchy subject, one that needs to be handled sensitively on stage or not at all.
By
BILL RODRIGUEZ
| January 13, 2010
An awkward adaptation
Times change, but the frailties of the human heart . . . not so much.
Times change, but the frailties of the human heart . . . not so much. That overworked muscle can be haplessly generous or slammed-door shut. Nathaniel Hawthorne's mid-19th century novel The Scarlet Letter still stands as a perceptive examination of the eternal internal battle between love and hate.
By
BILL RODRIGUEZ
| May 13, 2009
Not-so-silent night
Miss Pixie's tongue-in-cheek Extravaganza!!!
Oh, what Miss Pixie wouldn't give to be loved. Pride? Dignity? Self-awareness? Check, check, check.
By
BILL RODRIGUEZ
| December 16, 2008
Power play(1)
The Gamm's An Ideal Husband
At this time of renewed political idealism in the country, director Judith Swift has labeled the London setting of An Ideal Husband , at the Gamm through December 7, as "inspired by the 19th century, set in the 20th century, reflected in the 21st century."
By
BILL RODRIGUEZ
| November 12, 2008
Anything but tame
A smart take on Shakespeare’s Shrew
Director Peter Sampieri and an ace troupe are mounting a slam-bang production of the comedy that sparkles with originality and resolves a feminist objection to the play that we can assume is older than the play itself.
By
BILL RODRIGUEZ
| May 20, 2008
Parlor games
Gamm’s Boston Marriage is a ticklish toss-off
The 19th-century practice of the lesbian “Boston marriage” was packed with enough human urgency and necessary social hypocrisy to supply any number of plays.
By
BILL RODRIGUEZ
| March 25, 2008
Christmas cheers
Huzzahs for Gamm’s Santaland and Greetings
Both mini-plays are stirring up non-stop giggles and guffaws at the Gamm.
By
JOHNETTE RODRIGUEZ
| December 11, 2007
Abuse and power
The Gamm's timely and troubling Enhanced Interrogation Techniques
Enhanced Interrogation Techniques, the four one-act plays at the Sandra Feinstein-Gamm Theatre is not for the squeamish, but not in the way you think.
By
BILL RODRIGUEZ
| January 30, 2007
Encore!
A year in Providence theater
Oh, what a jaded bunch of seat-warmers we can become, those of us who see a lot of theater — good theater, that is. But now and then we encounter a production or a performance that reminds us of what we knew all along.
By
BILL RODRIGUEZ
| December 20, 2006
Ho-ho woes
David Sedaris’s seasonal satire at the Gamm
The humor of David Sedaris is infectious because it comes out so naturally, like a hacking cough that he’s worried about but is trying to make light of.
By
BILL RODRIGUEZ
| December 05, 2006
Peace and war
Gamm’s compelling Mother Courage
War. What is it good for? More than absolutely nothing, the indomitable title character of Bertolt Brecht’s Mother Courage and Her Children would contend.
By
BILL RODRIGUEZ
| September 19, 2006
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[
02/18
]
20th Annual Cajun & Zydeco Mardi Gras Ball
@ Rhodes-On-the-Pawtuxet
[
02/18
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/18
]
A screening of Andy Warhol's Sleep
@ RK Projects + Magic Lantern Cinema
BLOGS
Critiquing the Buffett Rule
Not For Nothing
| February 17, 2012 at 4:55 PM
In Today's Phoenix: Nads!
February 16, 2012 at 2:13 PM
Malcolm X, in His Own Words
February 16, 2012 at 12:06 PM
Cybersecurity on the march
February 15, 2012 at 2:33 PM
Andre's Posse is Back
February 14, 2012 at 12:47 PM
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