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The Luyas | Too Beautiful To Work
CD Reviews
Faulty Conscience | Good Enough for Punk Rock
BPO (2009)
By
BARRY THOMPSON
|
April 14, 2009
Faulty Conscience | Good Enough for Punk Rock
" alt="photo of 'Faulty Conscience | Good Enough for Punk Rock'">
2.5
Stars
Of the innumerable punk bands who will release their debut full-length this year, Allston's Faulty Conscience will surpass the majority with their aptly titled
Good Enough for Punk Rock
. The FC kids are cozy in unostentatious shoes, and mild self-depreciation suits them nicely.
It's easier to get away with a song called "Cunt Rot" when you're not asking to be taken seriously. "Cunt Rot" is, by the way, an abrasive, skeevy, blues-tinged ditty, and my favorite FC song. "Gonzo Life" runs a close second by covering all requisite bases for a solid punk number in less than a minute and a half. "Pirate Song" snags the bronze medal by addressing the visceral, illogical, all-too-human desire to be a pirate. "I'll be a pirate! Wear an eye patch on my eye/And a parrot on my shoulder 'cause I don't know why," barks the geet-and-vox dude known as Julian.
I can forgive
Good Enough
for being a little rough around the edges, seeing as how it's punk rock and all. "Too Many Chords" is the only total misfire. A Misfits sound-alike isn't too far removed from a Misfits cover, and superfluous Misfits covers have destroyed my ability to enjoy the Misfits.
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[
02/15
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"In Habitat," works by Brian Chippendale and Jungil Hong
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Suzanne Vega
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[
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"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
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Even behind the wall of semi-anonymity provided by blogs and Internet message boards, some rules still apply.
MARK LANEGAN BAND | BLUES FUNERAL
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LAW & DISORDER: THE BEST OF LAST SEMESTER'S CAMPUS CRIME LOGS
| January 25, 2012
Incident logs available online and/or at campus police stations display laundry lists of amateur-hour escapades and bike/backpack/wallet/gadget thefts. Here are some amusing, singular shenanigans and trends from last semester culled from public records
FOR COYOTE KOLB, THE ROOTS COME TOGETHER
| January 24, 2012
Johnny Cash's baleful self-portrait "Ain't No Grave" oozes into my skull through a Sailor Jerry haze.
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BARRY THOMPSON
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