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The Luyas | Too Beautiful To Work
CD Reviews
Micachu & the Shapes | Jewellery
Rough Trade (2009)
By
ZETH LUNDY
|
March 23, 2009
Micachu & the Shapes | Jewellery
" alt="photo of 'Micachu & the Shapes | Jewellery'">
3.0
Stars
The brief and ebullient debut by 21-year old Mica Levy
et al
. is so tic-ridden and childlike, and so packed with dissonant non-chords and chirping calls of hand-clapped rhythm, you'd think a pack of kids had picked out the instruments and written the arrangements. In fact,
Jewellery'
s regressive auditory freakout is part of its greater complexity.
Listen closely and you'll hear pastoral English twee, Carl Stalling cartoon music, bull-headed hardcore, early rock and roll, and nicks of contemporaries like Animal Collective and Hot Chip. And that's just the first track. The rest of the songs, produced by microhouse man Matthew Herbert, eagerly follow suit, like Pop Rocks in a stomach full of Coca-Cola, or caroming candy-coated pinballs.
Levy's unorthodox and, in some cases, homemade instruments strum and stutter with calculated abandon; her heavy British accent slumps itself across this glitchy bubblegum arcade and blunts it, as she sings of everything from premature scavengers and math problems to matters of the heart that need not be so intelligible.
Related
:
Review: Animal Collective, Merriweather Post Pavilion
,
Are Animal Collective a jam band?
,
Photos: Animal Collective at House of Blues (2009)
,
More
Review: Animal Collective, Merriweather Post Pavilion
Animal Collective began as a band of fringe weirdos, but over time they've dropped the freak from their folk.
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Like many white males in their early 30s with slowing metabolisms and dorkish concerns, I never really got what the big fucking deal was about Animal Collective. I was turned onto them years ago by a friend at an old workplace; he had better taste in music than me.
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These days, it's not so easy to feel useful as a music critic.
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Even with all the promise of the new year ahead, it's hard not to feel a little stiffed in the Future of Mankind department. Here it is, 2010, and there's nary a flying car to be seen.
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Animal Collective | Fall Be Kind
This nifty little five-track postscript to January's celebrated Merriweather Post Pavilion demonstrates further how adept the members of Animal Collective have become at deploying their bottomless bag of electro-psych tricks in the service of songs.
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[
02/15
]
"In Habitat," works by Brian Chippendale and Jungil Hong
@ Jamestown Arts Center
[
02/15
]
Suzanne Vega
@ Narrows Center for the Arts
[
02/15
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
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| February 14, 2012
When it was released in 1997, Cotton Mather's sophomore album racked up glowing critical huzzahs across the pond (not to mention big-ups from Oasis), yet dudded here in the States.
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| February 07, 2012
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| January 31, 2012
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| January 17, 2012
Since we last heard from Future of the Left, Cardiff's greatest non-furry export lost founding member Kelson Mathias and gained two new ones.
ALEX CHILTON | FREE AGAIN: THE ''1970'' SESSIONS
| January 10, 2012
Post–Box Tops and pre-Big Star, Alex Chilton was an 18-year-old Memphis boy on his way to his dual identity: former #1 pop hitmaker, perpetual underground hero.
See all articles by:
ZETH LUNDY
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