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CD Reviews
Tricky | Knowle West Boy
Domino (2008)
By
RICHARD BECK
|
October 8, 2008
TRICKY | KNOWLE WEST BOY
" alt="photo of 'TRICKY | KNOWLE WEST BOY'">
3.0
Stars
Who's not glad to have Tricky around? In 1995, he helped conjure trip-hop into existence with his classic debut,
Maxinquaye
. Ever since, his complex, wary cynicism has been a unique voice in black music, mutating and diversifying its way out of easy categorization.
Knowle West Boy
is a survey of Tricky’s sonic versatility — straightforward rock and oppressive, moody atmospherics all have a home here — and it is frequently gorgeous. “Coalition” illuminates a particular sort of 21st-century isolation like little else I’ve heard. As the beat marches ominously, a cello, played in light touches, floats in and out of the foreground, urging Tricky’s fevered rhymes on before leaving the scene. Gender, politics, religion, class, and race all speak across one another throughout the album, but Tricky refuses to settle, refuses to inhabit one identity rather than another.
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[
05/27
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"A Natural Order," photographs by Lucas Foglia
@ David Winton Bell Gallery
[
05/27
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George Orwell's 1984, adapted by Nick Lane
@ Gamm Theatre
[
05/27
]
"2012 RISD Graduate Thesis Exhibition"
@ Rhode Island Convention Center
ARTICLES BY RICHARD BECK
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People have always thought that Joanna Newsom was indulgent. At first, it was about her voice — the kind of nasal yelp that usually keeps a performer from getting on stage at all. Then, on her second album, it was about her vocabulary and her instrumentation.
SONG OF HERSELF
| August 05, 2009
"Listen, I will go on record saying I love Feist, I love Neko Case. I love that music. But that shit's easy listening for the twentysomethings. It fucking is. It's not hard to listen to any of that stuff."
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| June 15, 2009
LA hip-hop has two threads, and DJ Quik pulls both of them. The first is g-funk, a production style that relies on deep, open grooves and an endless parade of funk samples.
FLIPPER | LOVE
| May 26, 2009
Flipper formed in San Francisco in 1979, and they're remembered three decades later because of a song called "Sex Bomb" that's one of the funniest pieces of music I've ever heard.
ST. VINCENT'S ACTOR GETS A RUN-THROUGH
| May 26, 2009
There were not one but two clarinets on stage at the Somerville Theatre on Tuesday night, and that gives you some idea of how intricate Annie Clark's chamber-pop compositions can be.
See all articles by:
RICHARD BECK
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