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Beach Fossils | What A Pleasure
CD Reviews
Elvis Costello and the Imposters
Momofuku | Lost Highway
By
ZETH LUNDY
|
May 12, 2008
ELVIS COSTELLO, MOMOFUKU
" alt="photo of 'ELVIS COSTELLO, MOMOFUKU'">
2.5
Stars
Elvis Costello’s transition from angry young man to grumpy old man was nearly complete late last year when, in reaction to the piecemeal experience of the digital age, he entertained the notion of never ever recording another album. Then he decided that he would record another album, but that it would be released on vinyl only. Such extremism is quaint but impractical, and so
Momofuku
— recorded off-the-cuff during one week in LA with the Imposters and Rilo Kiley’s Jenny Lewis, Johnathan Rice, and pedal-steel player “Farmer” Dave Scher on backing vocals — is now available in all formats. That’s just as well, because its lasting gimmick is its rock-and-roll spontaneity, not its method of delivery. Sure, Costello’s flubbed lines are left intact and the album’s mixes can be wildly uneven, but missed perfections make for a pretty riveting whole. The simplest songs (“Go Away,” “Drum & Bone”) fare best in the unstructured environment; pastiches of bossa nova (“Harry Worth”) and cabaret (“Mr. Feathers”) offset the barrage of roots-tinged rock. As far as raw rock goes, Costello splits the difference: “American Gangster Time” suffers from an absence of melody but “Stella Hurt” wraps its hook in a wicked bootstomp riff. “I’m a limited primitive kind of man,” Costello sings in “Drum & Bone,” and for better and worse, that’s the truth.
Related
:
Elvis Costello | Secret, Profane and Sugarcane
,
Buzz not loud enough for Burnett's spectacular 'Speaking Clock Revue'
,
Review: Elvis Costello | National Ransom
,
More
Elvis Costello | Secret, Profane and Sugarcane
There are few genres into which Elvis Costello hasn't delved over the years, but he's always seemed particularly comfortable within the traditional back-porch country that occupies this latest session.
Buzz not loud enough for Burnett's spectacular 'Speaking Clock Revue'
Supposed they gave a splashy benefit show and almost nobody knew about it? This appeared to be the case when artist/producer T Bone Burnett brought his "Speaking Clock Revue" to the Wang Theatre over the weekend.
Review: Elvis Costello | National Ransom
Back in the late '70s and early '80s, Elvis Costello would plot his cosmic knowledge of music history into his own songs, as if they were booty for like-minded music geeks.
Grupo Esperanza bids farewell
After eight years of being one of the most in-demand party bands in town, GRUPO ESPERANZA have just one last show left in them: April 1 at the Empire. People looking for a working band, starting practicing your Latin beats.
Photos: Elvis Costello + Head & the Heart at the Newport Folk Festival
Elvis Costello and Head & the Heart perform at the Newport Folk Festival on July 31, 2011.
Straight Man Versus Jokerman
Those expecting a night of Sinatra-style duets when Bob Dylan and Elvis Costello shared the bill at the DCU in Worcester were sorely disappointed.
Elvis Costello and Allen Toussaint
Elvis Costello long ago established himself as the best songwriter of his generation.
On the Racks: June 6
David Lee Roth, AFI, Cheap Trick, Camera Obscura, Elvis Costello, and Live
Flashbacks: March 3
These selections, culled from our back files, were compiled by Chris Brook and Jessica McConnell.
Flaming out
Elvis Costello’s My Flame Burns Blue (Deutsche Grammophon) disappoints me. I don’t mean critically as much as personally.
Bonus rounds
How long before this year’s This Year’s Model becomes last year’s This Year’s Model ?
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[
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"Optical Noise: American & British Prints/Films from the 1960s-1970s:
@ David Winton Bell Gallery
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Third Annual Providence Children's Film Festival
@ Cable Car Cinema
[
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"The Providence Postcard Project"
@ Brown University's Granoff Center, Martinos Auditorium
ARTICLES BY ZETH LUNDY
COTTON MATHER | KONTIKI [DELUXE EDITION]
| February 14, 2012
When it was released in 1997, Cotton Mather's sophomore album racked up glowing critical huzzahs across the pond (not to mention big-ups from Oasis), yet dudded here in the States.
THE PUNCH BROTHERS | WHO'S FEELING YOUNG NOW?
| February 07, 2012
For a group full of virtuosos, the Punch Brothers refuse to dole out prodigious string-murdering sessions.
AIR | LE VOYAGE DANS LA LUNE
| January 31, 2012
It was inevitable that Air would one day be asked to soundtrack a colorized version of an iconic 1902 silent French film about moon exploration, right? There's the French thing, the moon thing, the kitsch-cool factor.
FUTURE OF THE LEFT | POLYMERS ARE FOREVER
| January 17, 2012
Since we last heard from Future of the Left, Cardiff's greatest non-furry export lost founding member Kelson Mathias and gained two new ones.
ALEX CHILTON | FREE AGAIN: THE ''1970'' SESSIONS
| January 10, 2012
Post–Box Tops and pre-Big Star, Alex Chilton was an 18-year-old Memphis boy on his way to his dual identity: former #1 pop hitmaker, perpetual underground hero.
See all articles by:
ZETH LUNDY
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