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Battles | Gloss Drop
CD Reviews
Grant- Lee Phillips
Strangelet | Zoë
By
MIKAEL WOOD
|
April 30, 2007
GRANT-LEE PHILLIPS, STRANGELET
" alt="photo of 'GRANT-LEE PHILLIPS, STRANGELET'">
3.0
Stars
On his new solo album, this LA-based singer-songwriter — the former frontman of mid-’90s psych-folkies Grant Lee Buffalo — sings about the fountain of youth running dry. Yet that’s a prospect Grant-Lee Phillips’s albums make you start to doubt. Although the world around him keeps changing, Phillips’s stuff always stays the same;
Strangelet
, the follow-up to a dashed-off 2006 covers disc, seems like the work of a man who hasn’t aged a day since he figured out what kind of music he wanted to make. Phillips’s sound is a durable one: folky, post-Beatles chord progressions caked in liberal amounts of T. Rex guitar fuzz. And here he comes up with a handful of winners that include “Hidden Hand,” which stomps with a sexy sneer, and “Soft Asylum (No Way Out),” whose bright jangle channels
Out of Time
–era R.E.M. Over its dozen tracks, however,
Strangelet
begins to blur into one extended alt-rock echo. It’s as if the price of Phillips’s eternal youth were an old
man’s taste.
Grant-Lee Phillips + Kim Taylor | Paradise Rock Club, 967 Comm Ave, Boston | May 8 | 617.931.2000
Related
:
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On the racks: June 27, 2006
,
Dead of Winter + Fiery Furnaces
,
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Grant Lee Phillips
Bordered by twilight and tangled-branch silhouettes, former Grant Lee Buffalo singer-songwriter Grant-Lee Phillips captures the imagery, as well as the heart, of an era’s underground on this aptly titled collection of covers.
On the racks: June 27, 2006
. . . and all sorts of guest stars.
Dead of Winter + Fiery Furnaces
It was a weekend of big acts and big crowds at SPACE Gallery.
Spring cleaning
Some find it remarkable, but it is nevertheless true that far more local CDs are released than there are weeks in a year.
Flashbacks: June 16, 2006
These selections, culled from our back files, were compiled by Hannah Van-Susteren, Doug Fleischer and Sam MacLaughlin.
Mind over mind
Loyal readers of this column know that when it comes to the local music scene, college is the best of times and the worst of times.
Roaring back
Rumors of a Rash of Stabbings reunion are not, in fact, greatly exaggerated.
Flashbacks
The Boston Phoenix has been covering the trends and events that shape our times since 1966. These selections, culled from our back files, were compiled by Ian Sands.
Unextinct
The convo is already off to a bumpy start with one Lou Barlow of Dinosaur Jr., phoning in from his Los Angeles residence at 10:30 am PST.
Pop Master
As last night’s show at T.T. the Bear’s Place proved, Keene is still a masterful songwriter, singer, and guitarist in love with his craft after 22 years in the trenches.
Oh brother, where alt thou?
In the summer of 1995, Grant Alden was documenting “the tail end of the grunge years” as managing editor of a Seattle music weekly, the Rocket . Alejandro Escovedo, "Broken Bottle" (mp3 via MySpace) Drive-By Truckers, "Feb. 14" (mp3 via MySpace)
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[
05/26
]
"A Natural Order," photographs by Lucas Foglia
@ David Winton Bell Gallery
[
05/26
]
George Orwell's 1984, adapted by Nick Lane
@ Gamm Theatre
[
05/26
]
"2012 RISD Graduate Thesis Exhibition"
@ Rhode Island Convention Center
ARTICLES BY MIKAEL WOOD
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| July 07, 2010
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| July 01, 2010
Given the theory of de-evolution these Ohio brainiacs began expounding more than 30 years ago, it makes a sad kind of sense that Devo's first album since 1990's Smooth Noodle Maps offers such a charmless, base-level version of the band's synth-addled new wave.
TAIO CRUZ | ROKSTARR
| June 24, 2010
When Taio Cruz sings, "I can't live without you," in "Take Me Back," pop-song conventions tell us he's referring to a lover.
THE FUTUREHEADS | THE CHAOS
| June 16, 2010
"I wish that I could stop the noise," sings Barry Hyde not long into The Chaos . It sure doesn't seem that way.
BETTYE LAVETTE | INTERPRETATIONS: THE BRITISH ROCK SONGBOOK
| June 01, 2010
Bettye LaVette’s previous two albums had titles that required a little digging to unpack.
See all articles by:
MIKAEL WOOD
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