The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

Review: Captain Abu Raed

Funny and touching
By PETER KEOUGH  |  August 27, 2009
3.0 3.0 Stars

 

A janitor (Nadim Sawalha) at the airport in Amman, Jordan, comes across a cap misplaced by a flight crewman and takes it home. Devoid of any diversion except imaginary tea parties with his deceased wife, the weary old coot dons the hat and becomes Captain Abu Raed, a much-traveled airline pilot who spins tales of his adventures for the waifish neighborhood kids.

But what of Murad (Hussein Al-Sous), the tough little punk who insists on blowing the Captain's cover? First-time director Amin Matalqa forgoes the treacly old-man/cute-kid formula in favor of tougher material: Murad's brutally abusive father and, by extension, the atavistic patriarchal tyranny still alive in Jordanian society.

Boosted by a funny and touching performance by Sawalha in the title role and featuring the cinematically untouched beauty of the ancient city, Matalqa's film shows how the most liberating flights might be those of the imagination.

| More

[ 02/18 ]   20th Annual Cajun & Zydeco Mardi Gras Ball  @ Rhodes-On-the-Pawtuxet
[ 02/18 ]   A screening of Andy Warhol's Sleep  @ RK Projects + Magic Lantern Cinema
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group