Reviews

Review: Miss March

The boys directed and co-scripted, so there's no one else to blame.

By BETSY SHERMAN | March 11, 2009

1.0 Stars

VIDEO: The trailer for Miss March

Miss March gives us one of cinema's more annoying innocent-plus-crazy-id-best-friend pairings. Played respectively by Zach Cregger and Trevor Moore (from TV's The Whitest Kids U Know), Eugene and Tucker make a zany cross-country jaunt toward the Playboy Mansion in search of the eponymous centerfold — who was Eugene's virginal sweetheart before he banged his head on prom night and went into a four-year coma.

Instigator Trevor drags his bud through a series of screechingly unfunny exploits; once they reach their destination, the meeting with idol Hef (on what's almost a throne) is anti-climactic. Moore seems to equate comedy with continuous eye popping — did he hone his chops watching the Ace Ventura Saturday-morning cartoon?

Cregger mostly just winces. The boys directed and co-scripted, so there's no one else to blame. The only chuckles come when Craig Robinson, playing a rapper named Horsedick-dot-mpeg, is on screen.

Review: Hot Tub Time Machine
Steve Pink has a big chubby for the ’80s.
Review: Good Theater's solid Moonlight and Magnolias
A lot of folks still consider the 1939 film Gone With the Wind to be the best loved and most iconic American movie of all time — and that's the primary concern of Ron Hutchinson's Moonlight and Magnolias , a comedic romp about the monumental difficulties of making Margaret Mitchell's humongous best-seller into a decent film.
Review: Mid-August Lunch
After co-writing the international gangster hit Gomorrah , Gianni Di Gregorio, at 60, got the chance to direct his first film.
Review: The Sun
No sun is in sight in the beginning of Aleksandr Sokurov’s look at the last days of divinity for Emperor Hirohito.
The Big Hurt: What would Jesus download?
True, I may be the wrong guy to review the top tracks on the Billboard Christian Songs chart. I’m not religious, so songs about Jesus mean about as much to me as songs about Popeye.
Alex Chilton, 1950 - 2010
When Alex Chilton had a fatal heart attack while mowing his lawn last week, he was, statistically speaking, just a 59-year-old New Orleans resident, nothing more than an edit on some census forms. What Chilton represented, however, was a true American iconoclastic hero.
SXSW 2010: The band who wasn't there
This past Saturday around noon, about a dozen of us were cracking our first Lone Stars of the day at Peckerheads, one of scores of dimly daylit venues lining Austin’s teeming Sixth Street.
SXSW 2010: Lost in Austin
I can’t resolve an obsession with a sound until I find it live.
WAN Convenience Store and Deli
I can easily imagine my less-adventurous friends entering WAN Convenience for the first time, glancing around, and turning on their heels to flee.
The big (moving) picture: SXSW 2010 in HD video
Videos of Freelance Whales, Le Loup, Sleigh Bells, and more.
Photos: PAX East 2010 (Saturday)
Not pictured: Guy dressed as an enormous Fruit Fucker 2000
Less

Topics: Reviews , The Whitest Kids U'Know, Trevor Moore, Trevor Moore, More

| More

See more deals

view all

[ 02/14 ] Peter Frampton @ Zeiterion Theatre

[ 02/14 ] "Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings @ Bert Gallery

[ 02/14 ] Mary Poppins @ Providence Performing Arts Center

ARTICLES BY BETSY SHERMAN

REVIEW: CHARLOTTE RAMPLING: THE LOOK | January 31, 2012
Rampling's physical gifts, unimpeded by plastic surgery in their march through time, are matched by a keen mind and an unapologetic approach to life and work.

REVIEW: THE GREY | January 26, 2012
At the center of this superior stranded-men-picked-off-by-external-threat thriller is Ottway, an anguished loner powerfully played by Liam Neeson.

REVIEW: RED TAILS | January 24, 2012
With a title that refers not to squirrels but to plane markings, Red Tails dramatizes the struggles and triumphs of African-American pioneers, the Tuskegee Airmen.

REVIEW: THE ARTIST | December 20, 2011
The advent of talking pictures sends a screen idol into both a career nosedive and an identity crisis in Michel Hazanavicius's flashback to Hollywood's transitional period of the late '20s.

REVIEW: LIKE CRAZY | November 01, 2011
Like Crazy is hooked onto a series of plot points — the bureaucratic hassles wrought by Londoner Anna's impulsive decision to overstay her student visa so she can remain in LA with boyfriend Jacob — yet it's quintessentially character-driven.