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Review: Big Mommas: Like Father, Like Son
Reviews
Towelhead
A grosteque and unbelievable adaptation
By
BRETT MICHEL
|
September 17, 2008
TOWELHEAD
" alt="photo of 'TOWELHEAD'">
1.0
Stars
TOWELHEAD: Lots of button pushing, few believable individuals.
Why didn’t Alan Ball just title his film
Sand Nigger
or one of the other epithets bandied about in his grotesque adaptation of Alicia Erian’s novel? It’s clear he’s paid more attention to pushing buttons (yes, even
that
one) than putting believable humans on screen.
Towelhead
is the type of tripe that poses as enlightenment in “important” Oscar winners like
Crash
and
American Beauty
, and it’s guilty of more of the same: piling one contrivance on another, sacrificing character for contemptible irony. Worse, Ball’s directorial bow lacks the one element that elevated his overrated screenplay for
American Beauty
: Kevin Spacey’s career-defining performance. Newcomer Summer Bishil flounders as 13-year-old Jasira, a Lebanese-American Alice who’s entered a rabbit hole of molestation, mental abuse, racism, and rape in a Gulf War–era suburban Texas wonderland. Did veteran co-stars Maria Bello and Toni Collette (mothers both) actually believe this material was filmable?
124 minutes | Kendall Square
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Eagle Eye
The trouble with Shia? He’s no Henry Fonda, Jimmy Stewart, or Cary Grant.
The ultimate balancing act
About 100 films deep, MIFF ’08 has intriguing offerings for cineastes of all stripes. Here’s a slice of what to look out for.
Science and fiction
It wasn’t all hyperventilation.
Disaster Movie
Jason Friedberg and Aaron Seltzer (the hacks behind Date Movie and Epic Movie ) unleashed their second witless rehash of pop culture references this year.
My Best Friend's Girl
How many awful films must audiences sit through before producers realize that Dane Cook is not a romantic lead?
Body of Lies
For a film dealing with Intelligence, Body of Lies has little enough of its own.
Spring brakes
Funny how spring movies can mirror the options of spring break.
Speed Racer
When Andy and Larry Wachowski pitched The Matrix to producer Joel Silver, they showed him the seminal anime Ghost in the Shell , claiming their ambition was to re-create it in live action.
Paper or plastic?
The Duplass brothers have constructed a compact meta-movie laced with knowing winks.
Mongol
A beautifully filmed spectacle of questionable historical accuracy, where motivations are as shallow as battles are large.
The Foot Fist Way
A mean-spirited, scrappy tragicomedy that was shot in 19 days –– and looks it.
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[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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