The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

As Tears Go By

Violence and moony romance
By GERALD PEARY  |  August 13, 2008
3.5 3.5 Stars
astearsgobyINSIDE.jpg

Back in 1988, at age 29, Wong Kar-wai already had his world-class-filmmaker chops. His feature debut finds him mixing moony romance with deliriously good-looking Hong Kong actors posturing as iconic Hollywood movie stars, and the most gorgeously lustrous lighting and imaginatively off-kilter editing on the planet. A young hoodlum, Wah (Hong Kong pop singer Andy Lau), tilts impulsively between love for his provincial cousin (Maggie Cheung) and intense male bonding with a lunatic friend, Fly (Jacky Cheung), whose suicidal taunting of various triad thugs brings the two pals into dire trouble. As Tears Go By is Wong’s most violent film by far, and he shows himself an instant master of kinetic fight scenes, on a level with his action-flick Hong Kong contemporary John Woo. Both, of course, were influenced by Scorsese, so look for the Wah-Fly relationship to mirror Keitel and De Niro banging about in Mean Streets. Cantonese | 102 minutes | MFA: August 21, 22, 23, 27, 28

Related: Feel-bad cinema, Anna Wintour's hair tells all, Royal pain, More more >
  Topics: Reviews , Celebrity News, Entertainment, Movie Stars,  More more >
| More

[ 02/18 ]   20th Annual Cajun & Zydeco Mardi Gras Ball  @ Rhodes-On-the-Pawtuxet
[ 02/18 ]   A screening of Andy Warhol's Sleep  @ RK Projects + Magic Lantern Cinema
ARTICLES BY GERALD PEARY
Share this entry with Delicious
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: ANIMATED  |  February 08, 2012
    One film stands out among the Animated Shorts, Amanda Forbis and Wendy Tilby's Wild Life .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: LIVE ACTION  |  February 07, 2012
    The Oscar nominees for Live Action Shorts come down to five conventional narratives.
  •   REVIEW: ALBERT NOBBS  |  January 26, 2012
    Lesbianism doesn't exist as a cogent category in 19th century Ireland, which could explain why Albert Nobbs (Glenn Close), a woman disguised for years as a man and employed as a Dublin waiter, has no personal understanding of who she is, her identity, or what she feels.
  •   REVIEW: SILENT SOULS  |  January 17, 2012
    This is probably the only film we'll encounter about the Merja culture of West Central Russia, a Finno-Ugric tribe in which even the most modernized people pay allegiance to ancient customs.
  •   REVIEW: HELL AND BACK AGAIN  |  January 05, 2012
    Winner of the Grand Jury Prize at the 2011 Sundance Film Festival, Hell and Back Again offers a potent documentary correlative to the narrative of The Hurt Locker .

 See all articles by: GERALD PEARY



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group