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Review: Big Mommas: Like Father, Like Son
Reviews
21
A novel transformation
By
BRETT MICHEL
|
March 25, 2008
21
" alt="photo of '21'">
2.0
Stars
21
In need of $300,000 for grad school at Harvard Med, Southie-bred MIT senior and former nerd Ben Campbell (
Across the Universe
’s Jim Sturgess) has left his robot-building pals to their virgin ways, finding his inner cardsharp during weekend trips to Vegas with a clandestine group of card-counting students led by smug math professor Micky Rosa (Kevin Spacey, still playing
American Beauty
’s Lester Burnham, with an emphasis on ham). Director Robert (
Legally Blonde
) Luketic has transformed Ben Mezrich’s mostly non-fiction (and fairly non-readable) bestseller
Bringing Down the House
, adding mostly non-facts that include a villain (Spacey), lots of danger, a sexy dame (Kate Bosworth), another villain (Laurence Fishburne), and a new identity (including race) for Campbell (real name Jeff Ma). An Asian leading man is, it seems, too big a gamble for Hollywood’s myopic big players.
123 minutes | Boston Common + Fenway + Harvard Square + Somerville Theatre + Chestnut Hill + Embassy + suburbs
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Double down and Hollywood up
Sometimes Hollywood gets it right; sometimes Hollywood . . . ah, elaborates .
Reinventing the steel
Lex Luthor, dressed like a pimp, is chasing Superman around in a golf cart — and they aren’t even on the set yet. Lex marks the spot: Kevin Spacey sets his sight on Superman Returns. By Mike Cotton
Review: Shrink
Dr. Henry Carter (Kevin Spacey), the psychiatrist-to-the-stars of the title, has written a bestselling book on how to be happy. But — go figure — he isn't happy himself.
Lex marks the spot
What makes Lex Luthor tick? ThePhoenix.com interviews Superman’s newest enemy. Reinventing the steel: A behind-the-scenes report from Superman Returns. By Mike Cotton
Review: The Men Who Stare at Goats
Here’s a subject that really could have used a Stanley Kubrick or a John Frankenheimer or a Robert Altman. But are there any great cinematic satirists left, auteurs with the knack for black comedy and cold-blooded irony?
Review: Moon
Duncan Jones begins his first feature with an infomercial for "Lunar Industries, Ltd" that celebrates Lunar's solution to global warming: strip-mining the surface of the moon for "Helium 3," an isotope that can provide a limitless source of non-polluting fuel.
Apocalypse now and then
With Snakes on a Plane and World Trade Center opening on the same day, this summer won’t be offering the usual escapist fare.
Towelhead
Towelhead is the type of tripe that poses as enlightenment in “important” Oscar winners like Crash and American Beauty .
Spring brakes
Funny how spring movies can mirror the options of spring break.
Musical mystery tour
What would the world be like with Beatles music but no Beatles?
October lite
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
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[
02/16
]
Third Annual Providence Children's Film Festival
@ Cable Car Cinema
[
02/16
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/16
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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