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Spring brakes

Spring Arts Preview: Some diversions before the summer onslaught
By PETER KEOUGH  |  March 10, 2008


VIDEO: The trailer for Where In the World Is Osama bin Laden?

Funny how spring movies can mirror the options of spring break: this year Hollywood offers trips to Vegas, Hawaii, Mexico, the ’20s, the ’80s, Narnia, Gitmo, Afghanistan, and Iraq. For stay-at-home types, there are proms, concerts, campus high jinks, and comic books. And for those who want to act like adults, there are comedies and tragedies about sex, love, birth, and death.


VIDEO: The trailer for Stop Loss

MARCH
Maybe we can find a clue into why Owen Wilson got so down on himself in DRILLBIT TAYLOR (March 21), in which he plays an inept mercenary hired by bullied high-school kids. Steven Brill directs. On a more serious note: lauded indie director David Gordon Green makes his studio debut with his adaptation of SNOW ANGELS, Stewart O’Nan’s novel about relationships. Kate Beckinsale and Sam Rockwell star.

So when does the vacation start? Not with STOP LOSS (March 28), Kimberly Peirce’s contribution to the Iraq War movie surge. Ryan Phillippe stars in this parable of a hero who’s compelled to put in another tour of duty.

Now you’re talking: let’s hit the tables! In 21 (March 28), Robert Luketic tells the true story of six MIT students who figured out how to win in Vegas. Kevin Spacey, Kate Bosworth, and Laurence Fishburne star. What do you want to bet more people will want to watch these spoiled rich kids cheat than see blue-collar stiffs get killed in combat?


VIDEO: The trailer for Harold and Kumar Escape From Guantanamo Bay

APRIL
It seems too early for football — the 1920s, that is. George Clooney directs and stars in LEATHERHEADS (April 4), in which a struggling team tries to survive without face masks and with Renée Zellweger in the cast. And it may be too late for the sixtysomething Rolling Stones, who are caught in concert in Martin Scorsese’s SHINE A LIGHT (April 4).

All the same, the Stones are probably better than the band playing in Nelson McCormick’s PROM NIGHT (April 11), though that outfit has to contend with a serial killer. Maybe it should hire Drillbit Taylor, or go scouting for new campus digs like the seniors in Deb Hagan’s COLLEGE (April 11).

Because all too soon you’re grown up and facing dilemmas like BABY MAMA (April 18). Directed by Michael McCullers and starring Tina Fey and Amy Poehler, this one’s a comedy about a successful businesswoman who hires a working-class stiff to have her baby. Or you’re coming to terms with the notion that the ’80s are over and you might not get another chance to be a drummer in a superband, as in THE ROCKER (April 18), a dark comedy from Peter Cattaneo. And come to think of it — WHERE INTHE WORLD IS OSAMA BIN LADEN? (April 18). Documentarian Morgan Spurlock wants to know. No doubt that’s what they’ll be asking the title pair in Jon Hurwitz & Hayden Schlossberg’s HAROLD AND KUMAR ESCAPE FROM GUANTÁNAMO BAY (April 25); Kal Penn and John Cho reprise their roles.


VIDEO: The trailer for Iron Man

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Related: Bojinka, Republican dirty tricks, Quotes + numbers, January 27, 2006, More more >
  Topics: Features , Celebrity News, Entertainment, Harrison Ford,  More more >
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[ 02/18 ]   20th Annual Cajun & Zydeco Mardi Gras Ball  @ Rhodes-On-the-Pawtuxet
[ 02/18 ]   A screening of Andy Warhol's Sleep  @ RK Projects + Magic Lantern Cinema
ARTICLES BY PETER KEOUGH
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    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
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    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH



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