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Review: Big Mommas: Like Father, Like Son
Reviews
Penelope
Christina Ricci is still coming of age
By
BETSY SHERMAN
|
February 27, 2008
PENELOPE
" alt="photo of 'PENELOPE'">
2.0
Stars
Penelope
Although she’s pushing 30, Christina Ricci is still coming of age in Mark Palansky’s modern-day fairy tale, where waifish charm gets her over the speed bumps of labored premise and inelegant plotting. The victim of a witch’s curse, our poor little rich girl was born with a pig’s snout. Her overbearing mom (Catherine O’Hara) has hidden her away and is now arranging a marriage to “one of her own kind” to lift the curse. A reporter (Peter Dinklage) who wonders why suitors enter and then flee the Wilhern mansion hires hapless Max (James McAvoy) as a mole, and a sweetly comic courtship blooms as Penelope banters with Max through a one-way mirror — even though Max can’t see her, he’s the only one who
sees
her. It’s a pity the leads have to split for parallel journeys of self-discovery, with Penelope running away from home (like Babe a pig nose in the city) to become a media darling. Palansky’s winning visuals can’t make up for the story’s silliness.
102 minutes | Boston Common + Fenway + Fresh Pond + Circle/Chestnut Hill + suburbs
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I can’t speak for the kids, but I would rate Spike Jonze & Dave Eggers’s adaptation of Maurice Sendak’s 40-page children’s picture book up there with Up and Wall•E as topping the recent renaissance in children’s movies. If pressed, I’d rank it close to The Wizard of Oz .
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[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
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| January 24, 2012
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| December 20, 2011
The advent of talking pictures sends a screen idol into both a career nosedive and an identity crisis in Michel Hazanavicius's flashback to Hollywood's transitional period of the late '20s.
REVIEW: LIKE CRAZY
| November 01, 2011
Like Crazy is hooked onto a series of plot points — the bureaucratic hassles wrought by Londoner Anna's impulsive decision to overstay her student visa so she can remain in LA with boyfriend Jacob — yet it's quintessentially character-driven.
See all articles by:
BETSY SHERMAN
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