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Review: Big Mommas: Like Father, Like Son
Reviews
Step Up 2:The Streets
A step ahead of the rest
By
TOM MEEK
|
February 20, 2008
STEP UP 2: THE STREETS
" alt="photo of 'STEP UP 2: THE STREETS'">
2.5
Stars
For a sequel to a movie that was a shameless redux of all dance romances before it,
Step Up 2
is a step ahead of the rest. True, the acting is flimsy, but it has humor, plenty of energetic dance numbers, and enough oddball characters to shore up the predictable arc. Andie (Briana Evigan) rolls with the 4-1-0, an inner-city dance troupe that pulls “pranks” by performing on a crowded subway during rush hour. (If you ride the Red Line, you’ve seen Boston’s version.) She gets a chance to attend an elite Baltimore arts school (same one from the original), and the two sides of her life collide. Not a bad deal as it turns out, as she has two hunky studs (Black Thomas and Robert Hoffman), one in each milieu. The ambiguous commentary on race and class takes second billing once director Jon Chu lights up the back-alley sets and lets the dancers loose.
98 minutes | Boston Common + Fenway + Fresh Pond + Chestnut Hill + suburbs
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[
02/19
]
4-9 pm | Tom Tom Sunday: Celebrating the Big Beat of Tom Ardolino
@ The Met
[
02/19
]
Mary Poppins
@ Providence Performing Arts Center
[
02/19
]
"Nostalgia Machines"
@ David Winton Bell Gallery
ARTICLES BY TOM MEEK
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| January 24, 2012
The Underworld series got long in the tooth early, but here, in the fourth installment (directed by Swede Måns Mårlind), it grows new fangs.
REVIEW: JOYFUL NOISE
| January 10, 2012
There's not much joy but there's plenty of noise of the rafter-rocking gospel singing variety in Tony Graff's musical dramedy.
REVIEW: IN THE LAND OF BLOOD AND HONEY
| January 05, 2012
Jolie has loosely reworked the story of Romeo and Juliet in an infamous setting familiar from CNN but here seen from the inside.
REVIEW: ALVIN AND THE CHIPMUNKS: CHIPWRECKED
| December 13, 2011
For 50 years, Alvin and the Chipmunks have been driving parents nuts with their helium-infused banter and shrill bastardizations of pop music.
REVIEW: TRESPASS
| October 13, 2011
If Rod Lurie's errant remake of Straw Dogs didn't tickle your morbid fear of home invasion, then perhaps the latest from Joel Schumacher ( Falling Down ) might do the job.
See all articles by:
TOM MEEK
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