The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

El Orfanato | The Orphanage

An unoriginal technician's piece
By BRETT MICHEL  |  January 9, 2008
2.0 2.0 Stars


VIDEO: The trailer for El Orfanato|The Orphanage

Most of the zealous reviews greeting the debut feature of Guillermo del Toro protégé Juan Antonio Bayona cite the latter’s influences, from The Innocents to The Others, and there’s the rub: there are far too many to allow his supernatural horror/thriller to forge its own identity. True, Bayona is a skilled technician, but seek elsewhere if you’re hoping for the transporting originality of last year’s El laberinto del fauno|Pan’s Labyrinth. Those who can overlook the hackneyed scare tactics will appreciate the relatively bloodless classicism of this ghost story from Bayona and writer Sergio G. Sánchez. Belén Rueda impresses as altruistic mother Laura, who with husband Carlos (Fernando Cayo) purchases the orphanage she grew up in, hoping to convert it into a home for sick children. When her HIV-positive adopted son, Simón (Roger Príncep), disappears, her dreams descend into nightmare. Geraldine Chaplin’s spectral presence briefly chills, but the warm, fuzzy ending won’t. Spanish | 100 minutes | Boston Common + Kendall Square + Embassy + Suburbs

Related: Primary concerns, Fractured fairy tales, Doom, gloom and zoom, More more >
  Topics: Reviews , Guillermo del Toro, Juan Antonio Bayona
| More

[ 02/20 ]   "Optical Noise: American & British Prints/Films from the 1960s-1970s:  @ David Winton Bell Gallery
[ 02/20 ]   Third Annual Providence Children's Film Festival  @ Cable Car Cinema
[ 02/20 ]   "The Providence Postcard Project"  @ Brown University's Granoff Center, Martinos Auditorium
ARTICLES BY BRETT MICHEL
Share this entry with Delicious
  •   REVIEW: THIS MEANS WAR  |  February 16, 2012
    What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
  •   REVIEW: THE VIRAL FACTOR  |  January 17, 2012
    Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
  •   REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE  |  January 17, 2012
    Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
  •   REVIEW: THE DIVIDE  |  January 10, 2012
    Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
  •   REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL  |  December 20, 2011
    Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.

 See all articles by: BRETT MICHEL



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group