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Review: Big Mommas: Like Father, Like Son
Reviews
Sharkwater
The horrors of the "shark-fin mafia"
By
BRETT MICHEL
|
October 31, 2007
SHARKWATER
" alt="photo of 'SHARKWATER'">
2.5
Stars
MISUNDERSTOOD: Gentle giants in glorious high-definition.
Hubert Sauper’s cautionary documentary
Darwin’s Nightmare
(2004) dealt with ecological disaster as a direct result of globalization. Canadian biologist Rob Stewart would like to expose the horrors perpetrated by the “shark-fin mafia” and the various governments making billions from illegal shark poaching that has reduced the sea’s shark population by 90 percent. With media depictions of these man-eating monsters breeding hatred and fear (hello,
Jaws!
), who would miss them? Stewart, for one. The director makes a convincing case for the redemption of these misunderstood gentle giants, swimming among them in glorious high-definition footage, and backing up his thesis with statistics that are hard to ignore. But he sinks his picture by making himself the central figure. Sauper would have recognized conservationist Paul Watson as a stronger subject; Watson is briefly shown here clashing with pirates, only to be sued for doing so.
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[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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